The Movies canon

Sourced and screened.

Every film chosen by hand and annotated for why it matters.
Browse all 731 films or filter by genre, director, place, and year.

The Rules of the Game

Directed by Jean Renoir
1939 · France

Banned in 1939, booed at its premiere, then in the top ten of every Sight and Sound poll for sixty years: Renoir turned a hunting party into a diagnosis of a doomed society.

★ 8.8

The 400 Blows

Directed by Francois Truffaut
1959 · France

The French New Wave announces itself: Truffaut put his own miserable childhood on screen at twenty-seven, and the last shot changed what an ending was allowed to do.

★ 8.6

Paths of Glory

Directed by Stanley Kubrick
1957

France stayed uncomfortable enough to keep it out of cinemas for eighteen years: Kubrick tracked the camera down the trenches and staged an injustice that still makes people furious.

★ 8.3

Cleo from 5 to 7

Directed by Agnes Varda
1962

Varda was the one woman the New Wave could not leave out, and this is her breakthrough: ninety minutes of a singer walking Paris, waiting on news.

★ 8.0

Au Hasard Balthazar

Directed by Robert Bresson
1966

Godard said it contained the world in an hour and a half: a donkey passes from owner to owner, and Bresson makes cruelty and grace arrive without warning.

★ 7.8

A Prophet

Directed by Jacques Audiard
2009

The best prison film of this century, and it works like a business education: an illiterate nineteen-year-old walks into a French jail and starts learning very fast.

★ 7.6

Amour

Directed by Michael Haneke
2012 · France

The film everyone should see once and nobody wants to see twice: Haneke barely leaves one Paris apartment while a marriage of decades reaches its last stretch.

★ 7.5

Belle de Jour

Directed by Luis Bunuel
1967

Bunuel's most seductive film, and the role Deneuve never quite escaped: a bored bourgeois wife takes afternoon work in a brothel, and her fantasies blur in without warning.

★ 7.5

Ratatouille

Directed by Brad Bird and Jan Pinkava
2007

Almost nothing else takes both cooking and criticism this seriously: a rat with a palate steers a hapless human around a Paris kitchen, and the food looks extraordinary.

★ 7.3

Play Time

Directed by Jacques Tati
1967 · France

Tati built a working modern city on the edge of Paris and it bankrupted him: there is no plot, no close-up, and something funny in every corner of the frame.

★ 7.1