Schindler's List
Directed by Steven Spielberg
1993
More people have understood the Holocaust through this film than through any other: Spielberg took no fee, shot it in black and white, and gave the last word to the survivors.
★ 9.7
The Movies canon
Sourced and screened.
Every film chosen by hand and annotated for why it matters.
Browse all 731 films or filter by genre, director, place, and year.
Browse all 731 films or filter by genre, director, place, and year.
The Third Man
Directed by Carol Reed
1949
Britain has never made a better one, and nothing else sounds like it: a ruined postwar Vienna, and a zither score by a musician Reed first heard playing for the crew.
★ 9.3
M
Directed by Fritz Lang
1931 · Germany
Serial killer films begin here: Lang used sound as a weapon in his first talkie, gave the murderer a whistled tune, and turned a whole city into a trap.
★ 8.9
Nosferatu
Directed by F. W. Murnau
1922
A court ordered every print destroyed and the film survived anyway: Murnau's unauthorized Dracula gave horror its first permanent image, a shadow climbing a staircase toward a door.
★ 8.4
The Lives of Others
Directed by Florian Henckel von Donnersmarck
2006 · Germany
It made an entire country look at its own surveillance state: a Stasi officer listens in on a playwright's apartment, and the last line of the film lands like a blow.
★ 8.3
Das Boot
Directed by Wolfgang Petersen
1981 · Germany
No war film has ever been this claustrophobic: Petersen ran a camera the length of a U-boat again and again until the steel walls start pressing in on you.
★ 8.1
Amadeus
Directed by Milos Forman
1984
It sent a whole generation out to buy Mozart records: Salieri narrates his own jealousy from an asylum, and the music keeps making his case better than he can.
★ 7.8
Wings of Desire
Directed by Wim Wenders
1987 · Germany
Wenders filmed a divided Berlin two years before the Wall came down and caught something nobody could stage again: angels listening in on what the people below are thinking.
★ 7.5
The Pianist
Directed by Roman Polanski
2002
Polanski escaped the Krakow ghetto as a child and waited sixty years to film any of it: a pianist left alone in the ruins of Warsaw, and no heroism anywhere.
★ 7.4
The Sound of Music
Directed by Robert Wise
1965
It saved a studio from bankruptcy and has never left the culture since: Salzburg in the mountains, a nun who cannot behave, and songs everyone somehow already knows.
★ 7.2
Shoah
Directed by Claude Lanzmann
1985 · France
Nine hours long, with no archive footage at all: Lanzmann spent eleven years getting survivors, bystanders and perpetrators to describe what they saw, standing on the actual sites.
★ 7.0
The Great Escape
Directed by John Sturges
1963
Captivity has never looked like this much fun: Sturges rebuilt a real 1944 breakout from a German camp into tunnel engineering, forged papers and men who refuse to sit still.
★ 6.8
Fitzcarraldo
Directed by Werner Herzog
1982 · Germany
Herzog dragged a 320-ton steamship over a mountain with no models and no effects: his hero wants an opera house in the Amazon, and the production came to resemble the obsession it filmed.
★ 6.8
Downfall
Directed by Oliver Hirschbiegel
2004
Bruno Ganz plays Hitler as a man rather than a symbol, and Germany argued about the film for a year: the last twelve days in the bunker, filmed without comment or consolation.
★ 6.7
Stalag 17
Directed by Billy Wilder
1953
Wilder made a POW comedy in 1953 and refused to soften the Americans in it: a barracks works out that somebody inside is trading information to the Germans, and starts looking around.
★ 5.8
Judgment at Nuremberg
Directed by Stanley Kramer
1961
Stanley Kramer put real concentration camp footage into a Hollywood film in 1961 and made audiences sit with it: the trial is of judges, which makes the question about everybody.
★ 4.2
Grand Hotel
Directed by Edmund Goulding
1932
It took Best Picture without a single other nomination, which nothing else has managed: Greta Garbo says the line about wanting to be alone, and the one-building ensemble format begins here.
★ 1.8