The Movies canon

Sourced and screened.

Every film chosen by hand and annotated for why it matters.
Browse all 731 films or filter by genre, director, place, and year.

Seven Samurai

Directed by Akira Kurosawa
1954 · Japan

Every film about assembling a team for one last job descends from this one: Kurosawa makes seven men matter, then stages a battle in the mud nobody has equaled.

★ 9.9

Tokyo Story

Directed by Yasujiro Ozu
1953 · Japan

The quiet masterpiece of ordinary life: Ozu finds the ache of a whole century in parents visiting children who have no time for them, and it will find you too.

★ 9.8

Spirited Away

Directed by Hayao Miyazaki
2001 · Japan

The high point of hand-drawn animation: Miyazaki invented a spirit world so dense and so unexplained that it took the Animated Feature Oscar away from every American studio.

★ 9.3

Rashomon

Directed by Akira Kurosawa
1950 · Japan

Kurosawa gave the language a word for irreconcilable testimony and opened Japanese cinema to the world: four accounts of one killing, none of which can be squared with another.

★ 9.1

Parasite

Directed by Bong Joon-ho
2019

The first film not in English to win Best Picture: Bong turned class rage into something so entertaining that the whole world watched it and then argued about what it meant.

★ 8.9

Ran

Directed by Akira Kurosawa
1985 · Japan

Kurosawa was seventy-five and his eyesight was failing when he made it: King Lear moved to feudal Japan, with a great battle that plays to music and nothing else.

★ 8.7

The General

Directed by Buster Keaton and Clyde Bruckman
1926

Keaton did every stunt himself and dropped a real locomotive through a burning bridge: it flopped, cost him his independence within two years, and is now considered the great silent comedy.

★ 8.6

Late Spring

Directed by Yasujiro Ozu
1949

Ozu made the same film over and over and this is the most perfect version: a daughter who will not marry, a father who will not say what he wants, and one vase.

★ 8.6

Pather Panchali

Directed by Satyajit Ray
1955

Indian cinema arrived in the world with this: Ray shot it on weekends with a first-time crew and no money, and the children seeing a train is pure wonder.

★ 8.5

Ikiru

Directed by Akira Kurosawa
1952 · Japan

Kurosawa's answer to how a life should be spent: a bureaucrat gets one piece of terrible news and starts spending what is left deliberately, which will change how you see your job.

★ 8.5

Yi Yi

Directed by Edward Yang
2000

Nothing else captures an ordinary family like this: Yang holds three generations of a Taipei household in one frame, and the small boy photographing people's backs explains the whole method.

★ 8.4

Yojimbo

Directed by Akira Kurosawa
1961 · Japan

Leone took it wholesale for A Fistful of Dollars and Toho forced a settlement out of court: Kurosawa's samurai playing two gangs against each other is the template everyone still uses.

★ 8.4

A Separation

Directed by Asghar Farhadi
2011

The first Iranian film to win the foreign language Oscar: Farhadi built a moral maze where every person is partly right, and you will change sides several times.

★ 8.4

Grave of the Fireflies

Directed by Isao Takahata
1988 · Japan

Nobody recommends this one lightly: Takahata put two children through the last months of the war in Japan, and being animated makes it harder to bear, not easier.

★ 8.4

Full Metal Jacket

Directed by Stanley Kubrick
1987

The first half is the most quoted boot camp ever filmed: Kubrick found a real Marine drill instructor, let him write half his own material, and made basic training terrifying.

★ 8.3

The Bridge on the River Kwai

Directed by David Lean
1957

Lean built an epic about the seduction of a job well done: a British colonel in a Japanese prison camp finds a strange satisfaction in building their bridge properly.

★ 8.2

My Neighbor Totoro

Directed by Hayao Miyazaki
1988 · Japan

Children's films almost never dare to have no villain: Miyazaki made eighty minutes of pure safety out of two sisters and a forest spirit, and it became Ghibli's emblem.

★ 8.2

Harakiri

Directed by Masaki Kobayashi
1962

Kobayashi took the samurai film apart from the inside: an old warrior asks to die in a lord's courtyard, and what he says first dismantles the entire code of honor.

★ 8.2