
Escape from New York
John Carpenter turned Manhattan into a prison on a shoestring and it still looks right: Kurt Russell plays a convict given twenty-two hours to retrieve the president, and enjoys none of it.

John Carpenter turned Manhattan into a prison on a shoestring and it still looks right: Kurt Russell plays a convict given twenty-two hours to retrieve the president, and enjoys none of it.

Meryl Streep rewrote her own courtroom speech because she thought the script had the mother wrong: a custody fight filmed at kitchen-table level, where the child is the only honest party.

Distillers reportedly offered to buy the negative and destroy it: Wilder filmed four days of a writer's drinking with none of the period's usual comedy, and Best Picture followed.

Oliver Stone meant it as an indictment and a generation took it as a recruitment ad: Gordon Gekko's speech about greed is the most misread scene in American film.

A comedy built around a Nazi musical, released twenty-three years after the war: Brooks designed Springtime for Hitler to be unwatchable, and it remains the funniest sequence of the decade.

Natalie Portman was twelve and had never acted: Besson pairs her with a hitman who waters his houseplant like a dependent, and the film has been argued about ever since.

Willis O'Brien animated it a frame at a time and audiences in 1933 had never seen anything like it: the ape on that building is known to people who never watched it.

Romeo and Juliet moved to two New York gangs, and the dancing spills out of the theater into real streets: nothing on film snaps like Robbins's choreography.

The Coens made the saddest film about failure that anyone has managed to make funny: a folk singer plays beautifully, sleeps on couches, and gets absolutely nowhere at all.

It opens with the best love letter any city has received: Gershwin over black and white Manhattan, and then two hours of people ruining their lives beautifully.

Nothing beats it as a filmed argument, and it happens in a single room: eleven jurors want to go home, one will not, and the temperature keeps rising.