
Fountain
Duchamp submitted a porcelain urinal signed R. Mutt to an exhibition he was helping to judge, and the committee rejected it.

Duchamp submitted a porcelain urinal signed R. Mutt to an exhibition he was helping to judge, and the committee rejected it.

Malevich hung it high in the corner where a Russian house keeps its icons, and called it the zero of form.

A girl rolls a hoop down an arcaded street toward a shadow coming around the corner, in light that belongs to no hour.

Rousseau painted this in the last year of his life and explained that the woman on the sofa is dreaming herself into the jungle.

Kandinsky made more than thirty studies for this and then painted the four-meter canvas in three days, apocalypse dissolved past recognition.

A critic at the 1913 Armory Show called it an explosion in a shingle factory, and the insult followed the painting around America.

A marble head, a red rubber glove and a green ball hang together on a wall, and a train goes by in the distance.

A green-faced peasant and a cow look at each other, and the houses behind them are upside down. Chagall grew up in Vitebsk.

A family is tortured in a room too small for it, painted in Germany in 1919 with the war and the revolution just finished.

Marc gave his animals symbolic colors, blue for the spiritual, and looked to them for an innocence he thought people had lost.

Colored bars drift at diagonals across a white void with no ground under them, which Malevich meant as pure feeling and nothing else.

Billboards, scaffolding and stairways in flat primary color, with people reduced to bright interchangeable parts. Léger loved machines and made no secret of it.

The police shut down Modigliani's only solo show for indecency, and this was among the nudes that did it.

Black skeins and floating patches of color with nothing recognizable in it at all. Kandinsky thought painting could work on you like music.

Marc used yellow for whatever was gentle and joyful, and this cow is kicking its legs out across the hills for the pleasure of it.

A curve of the guitar, some stenciled letters, and otherwise a lattice of brown and grey. Braque and Picasso developed this together, canvas by canvas.

Death stands at the left in a patterned robe holding a club, watching a heap of sleeping people who have not noticed him.

Duchamp bought a postcard of the Mona Lisa, drew a moustache on it, and added five letters that make a crude joke in French.

Splintered stumps and shell craters under a cold sun, and Nash gave it that title on purpose, as an official British war artist.

Monet went to Venice late and found a city already doing what he had spent fifty years trying to paint.