Bird in Space
1928 · Museum of Modern Art, New York
American customs taxed it as industrial metal until Brancusi v. United States in 1928 forced the law to recognize abstract sculpture as art.
★ 8.6
The Art canon
Sourced and hung.
Every work chosen by hand and annotated for why it matters.
Browse all 704 works or filter by movement, subject, place, and artist.
Browse all 704 works or filter by movement, subject, place, and artist.
Black Square
1915 · Tretyakov Gallery, Moscow
Malevich hung it high in the corner where a Russian house keeps its icons, and called it the zero of form.
★ 8.5
Composition VII
1913 · Tretyakov Gallery, Moscow
Kandinsky made more than thirty studies for this and then painted the four-meter canvas in three days, apocalypse dissolved past recognition.
★ 8.1
Broadway Boogie Woogie
1943 · Museum of Modern Art, New York City
Mondrian broke his own grid into blinking squares after moving to New York, where he loved the traffic and the jazz.
★ 7.7
Composition with Yellow, Blue and Red
1942 · Tate Modern, London
Black lines, white ground, three primary colors and nothing else. Mondrian spent decades taking painting down to this and called it Neo-Plasticism.
★ 7.5
Composition VIII
1923 · Guggenheim, New York City
Circles, triangles and floating lines arranged with the precision of a score. Kandinsky painted it while teaching at the Bauhaus, his storms over.
★ 7.2
Suprematist Composition
1916 · Private collection
Colored bars drift at diagonals across a white void with no ground under them, which Malevich meant as pure feeling and nothing else.
★ 7.1
Black Lines
1913 · Guggenheim, New York City
Black skeins and floating patches of color with nothing recognizable in it at all. Kandinsky thought painting could work on you like music.
★ 6.7
Capricious Forms
1937 · Guggenheim, New York City
The Bauhaus grids and circles have given way to floating amoebas. Kandinsky in Paris at the end, inventing a biology instead.
★ 4.8