
Pride and Prejudice
Elizabeth Bennet and Darcy dislike each other on sight and spend the novel being wrong. Austen wrote conversation better than anyone in English, and readers return to it their whole lives.

Elizabeth Bennet and Darcy dislike each other on sight and spend the novel being wrong. Austen wrote conversation better than anyone in English, and readers return to it their whole lives.

A lantern lights a man in a white shirt throwing his arms wide before the firing squad. Goya painted it six years later.

Survivors of a real shipwreck pile toward a speck of sail on the horizon. Géricault studied corpses and asylum patients before he began.

A man stands on a summit with his back to us, looking out over fog, so that we end up looking at what he sees.

Emma Woodhouse is rich, clever, and sure she knows what everyone needs, so she arranges marriages and ruins them. Austen puts you inside her head until you miss what she misses.

Ingres stretched her spine past anything anatomy allows, and critics joked she had three vertebrae too many. He was chasing line, not truth.

Victor Frankenstein builds a man from corpses and flees when it opens its eyes. The creature teaches itself to read, then comes back to bargain with its horrified maker for one companion.

Left poor by their father's death, Elinor Dashwood hides her heartbreak while her sister Marianne broadcasts hers. Austen weighs the two ways of feeling and gives the sisters the real love story.

Three figures at the lip of a white chalk drop, painted around the time of his marriage, the eye pulled out to sea and straight down.

These are the tales before the Grimms softened them: mothers rather than stepmothers abandon their children, the violence goes unexplained, and the folk imagination of a whole culture stands intact.

A giant stands with his head in the clouds while everything below scatters. Whether Goya actually painted it is now disputed.

Trumbull knew many of the men and painted their faces from life, which is why this version ended up on the two-dollar bill.

Two women in white smile out from the railing while two men in dark cloaks stand behind them in the shadow, watching.

Two countries gain by trading even when one makes everything more cheaply. Ricardo's proof turned free trade from a preference into a theorem, and no tariff debate has escaped it.

Scott built the Middle Ages everyone still pictures: tournaments, Norman lords over conquered Saxons, Robin Hood in the greenwood, and Rebecca, a Jewish healer tried for witchcraft, who takes the novel over.

Overbeck and the Nazarenes lived almost as monks in Rome and painted deliberately like the Italians before Raphael. This is the program.
For what do we live, but to make sport for our neighbours, and laugh at them in our turn?
I have been a selfish being all my life, in practice, though not in principle.
Dark-heaving;—boundless, endless, and sublime— The image of Eternity.
The vision of Christ that thou dost see Is my vision's greatest enemy.
Both read the Bible day and night, But thou read'st black where I read white.