Liberty Leading the People
1830 · Louvre, Paris
Liberty carries the tricolor over the barricade with a boy waving pistols beside her, painted within months of the revolution it shows.
★ 9.4
The Art canon
Sourced and hung.
Every work chosen by hand and annotated for why it matters.
Browse all 704 works or filter by movement, subject, place, and artist.
Browse all 704 works or filter by movement, subject, place, and artist.
The Third of May 1808
1814 · El Prado, Madrid
A lantern lights a man in a white shirt throwing his arms wide before the firing squad. Goya painted it six years later.
★ 9.4
The Fighting Temeraire
1839 · National Gallery, London
A steam tug hauls a Trafalgar warship off to be broken up. Turner refused to sell the picture and left it to the nation.
★ 9.1
Raft of the Medusa
1819 · Louvre, Paris
Survivors of a real shipwreck pile toward a speck of sail on the horizon. Géricault studied corpses and asylum patients before he began.
★ 9.0
The Hay Wain
1821 · National Gallery, London
England ignored it, but the Paris Salon awarded it a gold medal in 1824 and sent Delacroix back to rework his own canvases.
★ 8.9
Wanderer Above the Sea of Fog
1818 · Kunsthalle, Hamburg
A man stands on a summit with his back to us, looking out over fog, so that we end up looking at what he sees.
★ 8.8
Saturn Devouring His Son (Goya)
1823 · El Prado, Madrid
Goya painted this straight onto the wall of his own house in his last bitter years and never meant anyone else to see it.
★ 8.5
The Slave Ship
1840 · Museum of Fine Arts (Boston), Boston
Turner took the Zong case, where a slaver threw its human cargo overboard for the insurance money, and set it under his most beautiful sunset.
★ 8.2
La Grande Odalisque
1814 · Louvre, Paris
Ingres stretched her spine past anything anatomy allows, and critics joked she had three vertebrae too many. He was chasing line, not truth.
★ 8.0
Death of Sardanapalus
1827 · Louvre, Paris
The king watches from his red bed while everything he owns is killed in front of him, on his own orders, before the pyre.
★ 7.8
The Nightmare
1781 · Detroit Institute of Arts, Detroit
An incubus squats on a sleeping woman's chest while a wild-eyed horse pushes through the curtains. It made Fuseli famous immediately.
★ 7.8
The Nude Maja
1800 · El Prado, Madrid
Not a goddess but a real woman looking straight back, which is why the Inquisition took an interest. Goya painted a clothed version too.
★ 7.6
The Women of Algiers
1834 · Louvre, Paris
Delacroix saw a room like this once, on a trip to North Africa, and painted it from memory. Picasso later made fifteen variations on it.
★ 7.2
Washington Crossing the Delaware
1851 · Metropolitan Museum of Art, New York City
Almost every detail is wrong, including the flag and the boat, and Leutze painted it in Germany seventy-five years after the fact.
★ 7.2
Charles IV of Spain and His Family
1800 · El Prado, Madrid
Goya put himself at an easel in the shadows, as Velázquez had, and painted the royal family looking vacant, pompous or merely plain.
★ 7.2
Watson and the Shark
1778 · Detroit Institute of Arts, Detroit
Brook Watson really did lose a leg to a shark in Havana harbor, and Copley put a Black sailor at the top of the rescue.
★ 7.2
The Ancient of Days
1794 · Whitworth Art Gallery, Manchester, England
Blake's Urizen leans out of the sun with a golden compass to measure the void, and Blake was not sure whether to admire him.
★ 7.2
Chalk Cliffs on Rugen
1818 · Kunstmuseum Winterthur, Winterthur
Three figures at the lip of a white chalk drop, painted around the time of his marriage, the eye pulled out to sea and straight down.
★ 7.1
The Clothed Maja
1800 · El Prado, Madrid
The same woman, same cushions, same pose, now dressed. It is thought to have hung in front of the nude and slid aside.
★ 6.9
Frederic Chopin
1838 · Louvre, Paris
It was half of a double portrait with George Sand listening at the piano, until somebody cut the canvas in two.
★ 6.8