
The Counterfeiters
Every life in Gide's novel is a forgery: boys passing false coins, adults faking passions they do not feel, and a novelist inside the book writing a novel called The Counterfeiters.

Every life in Gide's novel is a forgery: boys passing false coins, adults faking passions they do not feel, and a novelist inside the book writing a novel called The Counterfeiters.

Oil is the story of the modern world, Yergin argues, and he follows it from the first Pennsylvania derrick through two world wars that ran on it to Saddam Hussein's tanks in Kuwait.

Galbraith reconstructs how a country talked itself into buying stock with borrowed money, from the Florida land boom onward, and names the bezzle: the embezzlement a rising market hides and a crash exposes.

John Self drinks and spends himself toward ruin between London and New York while his first film falls apart. Amis gave the decade's greed a voice English comic fiction spent years imitating.

Four generations of one bank, from Victorian London to the crash of 1987. Chernow's Pierpont Morgan locks New York's bankers in his library until they agree to end the Panic of 1907.

Anthony Patch and his wife Gloria decide to wait for his grandfather's millions rather than work. Fitzgerald follows the waiting year by year, as the parties thin out and the drinking never does.

Bubbles are not aberrations but a permanent feature of markets. Chancellor follows the fever from tulip mania through the South Sea Bubble to Japan's 1980s, with borrowed money at the center every time.

Twelve New Yorker reports on how companies behave: Ford burning millions on the Edsel, a grocer trying to corner his own stock. Bill Gates calls it the best business book he has read.