
Guernica
A screaming horse, a mother with her dead child, all in grey. Picasso painted it in weeks after German bombers leveled a Basque town.

A screaming horse, a mother with her dead child, all in grey. Picasso painted it in weeks after German bombers leveled a Basque town.

Picasso pulled her out of the screaming mother in Guernica and gave her the face of Dora Maar, his lover and a photographer.

The kneeling figure on the left is the same shape as the stone hand on the right, holding an egg with a flower coming out.

Three swans on a lake, and in the reflection the necks have become trunks and the trees have become legs.

A cannon points across a room whose walls are panelled with samples of the world: sky, wood grain, fire, bells, a woman's torso.

Red New Mexico hills roll across the canvas with a few flowers brought right up close, the vast and the fragile in one frame.

The Bauhaus grids and circles have given way to floating amoebas. Kandinsky in Paris at the end, inventing a biology instead.