
Hold On, We're Going Home
Drake wanted a record that weddings would still play in ten years, and Majid Jordan's synths delivered exactly that.

Drake wanted a record that weddings would still play in ten years, and Majid Jordan's synths delivered exactly that.

Scoop DeVille built it from Janet Jackson's "Any Time, Any Place", heard on the studio radio, and Drake glides in.

Mike Zombie's beat samples a Bruno Sanfilippo ambient piano piece; the title came out of a Future studio session.

Boi-1da, Vinylz and Frank Dukes built the boast; Nineteen85 and 40 flip a James Blake sample for the reckoning.

Stargate's synth organ, Drake's first number one, and Rihanna turning a chorus of nonsense syllables into flirtation.

Boi-1da's beat was first meant for Kardinal Offishall; Kanye, by his account, rewrote his verse for two days after Eminem.

Sonny Digital and Metro Boomin built the beat, Drake jumped on the remix, and a weeknight became an occasion.

Director X shot the video in Memphis with Drake's father, over a DJ Dahi beat that snarls.

Filmed among Aston Martins in Miami, with J.U.S.T.I.C.E. League's beat and Drake turning Ross's luxury boast wistful.

Thirteen weeks atop the rap chart, on a beat T-Minus and Noah Shebib built wide enough for three guests.