
Since U Been Gone
Pink passed on it and Duff couldn't hit the notes, so Clarkson asked for heavier guitars and won a Grammy.

Pink passed on it and Duff couldn't hit the notes, so Clarkson asked for heavier guitars and won a Grammy.

Cuomo thought it too cheesy to release; Ocasek insisted, then Spike Jonze spliced the band into Happy Days footage.

Cuomo's working title was "The Classic Rock Song"; Ocasek produced, and the clean offbeat chords carry a family's addiction.
Bob Andrews cut it in 1988 to no interest; Lillywhite's remix made it Britpop's founding jangle.

Straightforward Kink copying, by Townshend's own admission, with the Ivy League on harmonies and Shel Talmy at the desk.
Two deliberate key changes raise the temperature under a teenager discovering his parents are cooler than he is.

Bonnie McKee rewrote it repeatedly until Benny Blanco suggested studying a Teenagers single, and one word cracked the chorus open.

A Pasadena stained-glass class, a friend's girlfriend, and Neil Giraldo's guitar turning ordinary envy into a number one.

Capitol dropped the band, Trombino produced on credit, and the drum pattern came straight off Tom Petty's You Wreck Me.

Not planned for the Green Album until Ocasek fought for it, then Spike Jonze filmed the band among wild animals.

Recorded at IBC in October 1965, it stalled at 41 in Britain, then became the mod movement's calling card.

Ocasek produced it, Cuomo aimed for the Velvet Underground, and the party-chatter intro made a sad song sound hilarious.

An answer song to "Walk on the Wild Side," mistaken for a summer hit; its real subject is addiction.

Alexander buried a celebrity taunt in the last verse to prove the press would ignore the politics; it worked.

Number one in Australia, number two in Britain, built from Brown's memory of Long Island parents fearing metal records.

Jimmy Marinos sang it from behind the drum kit; the single stalled at 49 and never went away.

Schlesinger owned up to this one, chasing the Cars; Ocasek assumed the intro was sampled from Just What I Needed.

Jason Schwartzman still drummed for the band when they cut it; The O.C. later made it a UK top ten.

Dean found an empty beach midweek and wondered where everyone was; Reno turned waiting for the weekend into working.

Epic wanted a radio-friendly love song; Bareilles wrote a refusal instead, and that piano riff climbed to number four.

Alex Call says there was no Jenny, just a backyard afternoon, four chords and seven digits America dialed for decades.

Perry left therapy sick of staying quiet, and Bonnie McKee turned that into pop's loudest dust-yourself-off chorus.

Ruess wanted a hip hop producer and Paul Simon's harmonies; the sleeper took seven months to reach number three.
Ray Davies cut it at Konk in 1977, a department store Santa mugged by kids who want jobs, not toys.

An anarchist collective from Leeds, a sample from Brassed Off, and a chorus about ordinary people refusing to stay down.

Rick Rubin produced it, the video was shot at the Playboy Mansion, and Cuomo swears the longing was sincere.

Long Island power pop, written overnight for the girlfriend Hampson later married, cut in Atlanta with Nick DiDia.

Twenty years old when Sha Sha arrived, Kweller later played this one through a nosebleed at Austin City Limits.