
If You Want Me to Stay
Number twelve on the Hot 100, the band's last pop top twenty, and a bass line hip hop still raids.

Number twelve on the Hot 100, the band's last pop top twenty, and a bass line hip hop still raids.
Violins in the upper register, rare for Sly, on a single released weeks before the band played Woodstock.
Freddie Stone's bluesy riff, the band trading vocal lines, and a B-side that Woodstock turned into a Top 40 A-side.

Clive Davis wanted a hit, so Sly wrote a roll call: each player steps forward, Cynthia Robinson shouting the title.

A band mixed in race and gender, four weeks at number one, and "different strokes for different folks" ever since.

A rhythm box edited into a heartbeat, Billy Preston on Pianet, and three weeks at number one.

Larry Graham slapping and popping the bass line credited with inventing the technique, and a verse quoting their own hits.