
Cherish (Madonna)
Herb Ritts shot the mermen in Malibu surf, and Leonard's doo-wop bounce makes the Romeo and Juliet line land.

Herb Ritts shot the mermen in Malibu surf, and Leonard's doo-wop bounce makes the Romeo and Juliet line land.

Written as a rock song for Cyndi Lauper, then rebuilt with Patrick Leonard into Madonna's fifth American number one.

Written on a Casiotone the DJ Mark Kamins gave her, finished by Jellybean Benitez, and Madonna's first top five.

Leonard wrote it as a film instrumental that Paramount passed on; Madonna added the words and kept her demo vocal.
Mary Wilson and Phyllis Hyman turned it down; Benitez cut it at Sigma Sound in a week, cowbell included.

Madonna and Stephen Bray built it on horns and handclaps; Fincher's Metropolis video cost a reported five million dollars.

Written for another singer, rebuilt with Stephen Bray for a Desperately Seeking Susan dance scene, then buried on a B-side.

A Steinberg and Kelly demo Rodgers disliked at first, six weeks at number one, and a seventeen-foot wedding cake.

Patrick Leonard co-wrote it, Prince played the intro guitar, and Pepsi pulled its five million dollar ad but paid anyway.