
Fuck Compton
Ced-Gee of Ultramagnetic MCs built the track; a Bronx rapper aimed it at Compton and lit the coastal rivalry.

Ced-Gee of Ultramagnetic MCs built the track; a Bronx rapper aimed it at Compton and lit the coastal rivalry.
Marley Marl looped an Eddie Kendricks record; Ace, co-producing his own debut, made Brooklyn sound like a place to watch.

Ice Cube, Mack 10 and WC trading verses, from a debut album that reached number two and went platinum.
Bud'da's beat, Ice Cube, Mack 10 and WC in formation, a West Coast declaration that topped the rap chart.

Never a single, it became the duo's live staple: two Los Angeles crate-diggers immortalizing a 1996 visit to the Bay.

Just Blaze cut it from Supertramp's Crime of the Century, and Fabolous raps it like a man being chased.

Grandmaster Flash's "The Message" under a "Break My Stride" hook, six weeks at number one, and Mase arrives.

Dre put music under Doug E. Fresh and Slick Rick's a cappella original, and Snoop made the story his.

Snoop wrote the hook but label trouble kept him off the record; Warren G took it to number nine.

Sam Sneed and J-Flexx started it as 'The Heist'; Dre and Cube's first record together since N.W.A.

DR Period built it on the Commodores' "Easy," and Cam'ron and Juelz Santana rode it to number three.
Premier's beat under Guru facing a gun charge, cut at D&D Studios and delivered as a sermon on perseverance.

Knobody flipped a Brenda Russell record, Joe sang the hook, and Pun became the first solo Latin rapper certified platinum.

Sounwave's woozy loop, Ab-Soul in the margins, and Lamar naming a generation's numbness on his debut album.

Chuck D aimed it at corporations that profit off Black neighborhoods without reinvesting, and Pete Rock's remix outgrew the original.

Dre and Sam Sneed rebuilt The Sequence's Funk You Up as G-funk, Nanci Fletcher singing the hook to number ten.

Just Blaze built the beat for Memphis Bleek, chopped a Rose Royce vocal, and Cam'ron took it to number four.
EPMD signed them off a talent show they lost, and the iggedy style swallowed hip hop for two years.
First record to lift the Synthetic Substitution break, which hip hop never stopped using, with Kool Keith rhyming deliberately off-beat.

A Faustian bargain told in the first person, later expanded into an eighteen-minute film Dre co-directed with Fab Five Freddy.

Scoop DeVille built it from Janet Jackson's "Any Time, Any Place", heard on the studio radio, and Drake glides in.

Predator-era Cube with Das EFX in tow; the remix rode the Message beat to number one R&B.

A Club Nouveau hook, Michael Marshall on the chorus, and a Bay Area anthem Jordan Peele later made sinister.
A Bobby Bland soul record from 1974, rebuilt by Kanye West, and Jay-Z sounding untouchable and unloved at the top.

Released two days after Shakur's death, Daz Dillinger's loop of DeBarge's A Dream carrying a farewell to lost friends.

RZA's murk, Method Man's first single away from the Wu-Tang, and a title Chris Rock borrowed for his 1996 special.

KRS-One produced it himself over a Stanley Turrentine loop, from the first album made after Scott La Rock's murder.

Nas was twenty and already writing memoir here, over DJ Premier's loop of a Reuben Wilson organ.

A joke about radio playlists, built on Vic Juris's "Horizon Drive," and it became Gang Starr's most recognizable record.

A Mothership Connection sample, RBX writing Dre's verses, and the Grammy win that turned it into a hit.
Ice Cube wrote it for a New York group who walked out; Dre pushed Eazy-E to rap it himself.
James Brown horns looped, an answer to MC Shan's The Bridge, and hip hop's birthplace claimed for the Bronx.

Chucky Thompson looped Phil Collins, and Nas rises from a murmur to a roar and back, verse after verse.

RZA cut it at Firehouse Studio on almost no budget, Method Man co-produced, and the chorus became the Clan's motto.

DMX turned the beat down for sounding too rock; his uncles talked him into it, and Swizz Beatz arrived.

Eminem wrote the verses as a reference for Snoop Dogg, by Dre's account, and Dre kept the guide vocal.

Timbaland's beat is all snap and space, and in 2008 a presidential candidate borrowed the shoulder-brush on a Raleigh stage.

Recorded in 1992, shelved, then remixed after his death over Bruce Hornsby's piano; a posthumous Grammy nomination followed.

James Jamerson's bass, cut in Chicago with Funk Brothers moonlighting for cash, and Wilson sounding weightless above it.
Ski looped Lonnie Liston Smith under a Nas vocal, and Jay-Z made money sound like a weary confession.