
In the City
Recorded at Brooklyn's Rumpus Room with Nick Stumpf producing, and Julia Stiles stars in the video.

Recorded at Brooklyn's Rumpus Room with Nick Stumpf producing, and Julia Stiles stars in the video.

Twenty years old when Sha Sha arrived, Kweller later played this one through a nosebleed at Austin City Limits.

Track four on Writer's Block, self-produced by the trio, and its plainest study of being left behind.

Death Cab's first number one on alternative radio, and its video was performed live in one unbroken take.

Mercer sang falsetto for the first time here at Burton's urging; Christina Hendricks plays the android in the video.

Roger Moutenot produced the album, Zach Rogue wrote every word, and a Zune advert gave this one legs.

González singing about taking responsibility over Winterkorn's organ, the track AMC used to send Breaking Bad off.

Mercer tried a falsetto in the booth, doubled the take, and Broken Bells arrived sounding like the Bee Gees.

A Korg M1 supplied most of the sounds, NPR called it the year's most divisive song, Vernon his favorite.

Seven minutes long, never a single, self-produced by the trio, and the longest slow burn on Writer's Block.

Richard Linklater put it in Boyhood and its trailer, and the Keefe brothers' harmony now sounds like growing up.

Jason McGerr shaped the drums after the Purdie Shuffle, and Gibbard turned the 2007 California wildfires into something almost calm.

Gonzalez wrote it with his brother Yann, and Ken Thomas produced an album that worships John Hughes and eighties synths.

Three sisters gave this away as a free download in February 2012; NME named it the year's fourth best track.

A four-track cassette machine in the rehearsal space Earley half lived in, and a boy who runs with wolves.

Justin Meldal-Johnsen co-produced at Sunset Sound, and Gonzalez turns unembarrassed optimism into a wall of synthesizers.

Laura Marling's ukulele and Charlie Fink's deadpan flopped in 2007; a 2008 re-release carried the sunshine to number seven.

Unhappy with the mix, Walla squashed the drums through speech-therapy hardware and rebuilt the track around a glove compartment.

Two chords written in a northeast Portland duplex, and Nate Query put the whole album on his credit card.