
The Pusher
Hoyt Axton's mother held the publishing back over its language; Easy Rider then made Steppenwolf's version unavoidable.

Hoyt Axton's mother held the publishing back over its language; Easy Rider then made Steppenwolf's version unavoidable.
Twenty minutes at the tail end of the Fire session, and Hendrix trading fire for something quiet and blue.

Moreve's riff, Monarch's feedback spliced onto the front by the engineer, and words Kay wrote about his new stereo.
Krieger's raga-style tuning, Morrison at his most unnerving, and nearly twelve minutes Coppola later gave to Apocalypse Now.
Bruce came home from a Hendrix show carrying the riff, and Baker answered it by drumming on one and three.

Slick borrowed the one long crescendo from Bolero and Lewis Carroll's cast, then rode both to number eight.

Erma Franklin had it first in 1967, then Joplin tore the same Ragovoy and Berns song wide open.
Krieger wrote most of it, Manzarek built a Bach-shaped organ intro, and Morrison sang the banned lyric on Sullivan anyway.

The intro is a tritone, medieval music's forbidden interval, and Roger Mayer's new Octavia pedal makes the solo scream.