
The Iliad
Achilles withdraws from the fighting over a stolen prize and his friends die outside Troy for it. Nothing written about war since has matched Homer's fury, or the mercy of the final scene.

Achilles withdraws from the fighting over a stolen prize and his friends die outside Troy for it. Nothing written about war since has matched Homer's fury, or the mercy of the final scene.

Five families carried through Napoleon's invasion of Russia, with battle, marriage, farming, and a theory of history held in one design. You finish it knowing these people better than your own friends.

Aeneas carries his father out of burning Troy and is sent to found Rome, abandoning the queen who loves him. Duty wins, and Dido's grief is the greatest passage in Latin poetry.

April is the cruellest month, and from that line Eliot assembles a ruined Europe out of voices, tarot cards, and pub talk. The fragments lodge in the memory for good.

In London in 1944 the army notices that an American officer's sexual conquests keep predicting where German rockets fall. What follows is the filthiest, funniest chase ever run across a ruined continent.

Trying to get grounded for insanity, a bombardier learns that asking to be grounded proves he is sane. Heller runs that loop through a whole war until the deaths stop being funny.

Billy Pilgrim comes unstuck in time, between a Dresden meat locker during the firebombing and a zoo on another planet. Vonnegut was in that cellar, and writes "So it goes" after every death.

Oskar decides on his third birthday to stop growing, keeps his tin drum, and screams glass to pieces while the Nazis take Danzig. Grass forced postwar Germany to look at itself through him.

Exiled after losing a city, Thucydides wrote the war that ruined Athens, explaining it by fear and self-interest, not the gods. At Melos his Athenians say the strong do what they can.

German schoolboys enlist after a teacher's patriotic speech and find mud, lice, and men dying badly. Remarque was in those trenches, and no book has done more damage to the idea of glory.

Driving ambulances for the Italian army, an American falls in love with an English nurse while the front collapses around them. Hemingway's plain sentences leave you completely undefended by the last page.

Celine's narrator carries his disgust from the First World War to colonial Africa, a Ford assembly line in Detroit, and a Paris suburb. He dragged spoken French into literature and made loathing exhilarating.

McPherson carries the whole Civil War in one volume, from the fights over slavery in the 1840s through Antietam to the surrender at Appomattox, and it reads like dispatches filed the same day.

O'Brien lists what a platoon in Vietnam hauled around, down to the ounce, then tells war stories and takes them back. The invented ones carry the war more exactly than facts could.

History begins with Herodotus asking why Greeks and Persians fought, and reaching Thermopylae by way of Egyptian mummies and gold-digging ants. He reports the rumors too, and lets you judge.

Five brothers gamble away a kingdom and their wife, then return from exile to a war that swallows their world. Carole Satyamurti's English verse holds the whole Sanskrit epic, Krishna's counsel included.

Win without fighting, Sun Tzu writes, and he means it literally. Twenty-five centuries ago this Chinese general reduced war to deception, terrain, and knowing the enemy as thoroughly as you know yourself.

Outnumbered in France, a young king talks his army into fighting at Agincourt, promising that whoever survives will remember the day forever. After the battle he reads out the names of the dead.

Falstaff is the greatest comic creation in English, a fat knight who lies about everything, and Prince Hal wastes his youth drinking with him while rebellion gathers against his father the king.

Three hundred and five songs from ancient China about courtship, harvest, soldiers on campaign, and bad government. Confucius taught from them, and every Chinese poet since has written with them in earshot.