
Junky
Burroughs reports his heroin years like a chemist writing up an experiment, from New York hustles to Mexico City rooms and cures that never take. There is no remorse and no lyricism.

Burroughs reports his heroin years like a chemist writing up an experiment, from New York hustles to Mexico City rooms and cures that never take. There is no remorse and no lyricism.

An undercover narcotics agent is assigned to watch a suspect who is himself, and the drug splitting his brain hemispheres keeps him from noticing. Dick closes by naming the friends he lost.

Two couples meet as junior faculty in Depression-era Madison and stay bound to each other for forty years. Stegner locates the drama of a life in devotion, illness, and one woman's will.

Esther Greenwood wins a month at a New York fashion magazine and comes home unable to want anything. Plath writes breakdown from the inside, down to the fig tree of futures rotting unchosen.

Miller in Paris, broke and writing about sex and squalor with an appetite nothing in English had matched. Grove Press fought dozens of obscenity suits before the Supreme Court cleared it in 1964.

Orphaned and clubfooted, Philip Carey tries Germany, Paris, painting, and medicine, then wrecks himself on a waitress who despises him. Nobody has written the humiliation of unreturned love more exactly.

John Grimes turns fourteen in Harlem in 1935 and spends the night on a storefront church floor, fighting for salvation. Baldwin pours the sins of three adults into that one boy's conversion.

Stephen Dedalus grows from a small boy into a young man set on leaving Ireland to make art. The prose matures sentence by sentence with him, from baby talk to fierce argument.