
Revolver
On Tomorrow Never Knows, engineers held five tape loops on pencils and mixed them live. No Beatle plays an instrument on Eleanor Rigby.

On Tomorrow Never Knows, engineers held five tape loops on pencils and mixed them live. No Beatle plays an instrument on Eleanor Rigby.

The last album they recorded together, with side two stitched out of songs nobody had finished. The cover shoot took about ten minutes.

It took about seven hundred hours of studio time when their first album took one day, and no singles were released from it.

They asked people around the studio questions on cue cards and used the answers. It then stayed on the American chart for fourteen years.

Recorded in a fifteenth-century mansion the band rented from an actress, with one track narrated entirely by the computer voice on a Macintosh.

Norwegian Wood has the first sitar on a pop record. The stretched cover photograph happened when a slide slipped during the projection.

Bowie announced from the stage in 1973 that it was the last show Ziggy would ever play, without telling his own band first.

Ringo Starr quit for two weeks during the sessions and Paul played drums in his absence. The cover is plain white with a stamped serial number.

Bush built her own studio at home so nobody could interfere, then gave over an entire side to a woman drowning through one night.

Singer Thom Yorke pulled the lyrics out of a hat because he could not write, and the band released it with no singles and no interviews.

Their producer motivated the sessions by swinging ladders around the studio and pouring wine into the piano. The sleeve copies Elvis's first album.

What survived an abandoned science-fiction project became this record. The keyboard figure opening Baba O'Riley was generated by a machine rather than played.

Roger Waters got the idea after spitting at a fan in Montreal and being appalled at himself. A school near the studio supplied the children's choir.

They put it online and let people pay whatever they wanted, including nothing. Some of the songs had been played live for ten years.

Guitarist Jimmy Page paid for the sessions himself and the record took about thirty-six hours of studio time. Nobody had heard drums recorded like that.

Sid Vicious barely plays on it, and a record shop was taken to court over the word bollocks and won.

They were exhausted and sick of being the Creep band, and nearly fell apart making it. Nothing on it sounds anything like Creep.

The band were in a legal fight with their label while making it, and the title track opens with a clip from a 1962 British film.

Producer Mark Ronson had a Brooklyn soul band play it live to tape like a sixties session. Winehouse wrote about the man she kept leaving.

The label refused the original sleeve, a photograph of a graffitied lavatory wall, and held the record back for months over it.