
Autumn Rhythm (Number 30)
1950 · Metropolitan Museum of Art, New York
Pollock worked on the floor and moved around the canvas instead of standing at an easel, laying black enamel across raw cotton in 1950.
★ 8.6

Pollock worked on the floor and moved around the canvas instead of standing at an easel, laying black enamel across raw cotton in 1950.

De Kooning dragged the figure back into abstract painting at the moment that was least acceptable, and worked this canvas over for two years.

Hooks and curves fill the canvas edge to edge with no center to rest on, and teeth and jaws keep surfacing out of the mass.

A bride in red floats through the blue night with a goat playing a cello beside her. Many people know it from a film.

Bacon used the shape of the cross as an armature for meat rather than religion, with a snarling animal fixed on top.