Brooklyn Battles
Marley Marl looped an Eddie Kendricks record; Ace, co-producing his own debut, made Brooklyn sound like a place to watch.
Marley Marl looped an Eddie Kendricks record; Ace, co-producing his own debut, made Brooklyn sound like a place to watch.

Ice Cube, Mack 10 and WC trading verses, from a debut album that reached number two and went platinum.

50 Cent wrote the chorus, liked it enough to take a verse, and Dre's beat carried Compton nationwide.
DJ U-Neek's beat, Shatasha Williams on the hook, and the harmonized Cleveland flow Eazy-E had to be talked into releasing.

Muggs looped Lowell Fulson's 1967 "Tramp" for the guitar and bass, and B-Real's nasal whine arrived fully formed.

Predator-era Cube with Das EFX in tow; the remix rode the Message beat to number one R&B.

Hi-Tek loops Boogie Down Productions while Mos Def and Kweli revive KRS-One's demand that the violence stop.

An Ini Kamoze sample under it, Stephen Marley at the desk, and verses answering the postcard version of Jamaica.

Nas was twenty and already writing memoir here, over DJ Premier's loop of a Reuben Wilson organ.
Ice Cube wrote it for a New York group who walked out; Dre pushed Eazy-E to rap it himself.

Chucky Thompson looped Phil Collins, and Nas rises from a murmur to a roar and back, verse after verse.

Warren G looped four bars of Michael McDonald in a Long Beach bedroom, and Nate Dogg sang his half.
Richards cut the acoustic into a Philips cassette recorder until it distorted, Watts drumming on a 1930s toy kit.

Havoc built the beat in his Queensbridge bedroom from a slowed Herbie Hancock piano figure and a Daly-Wilson drum break.