
Fuck Compton
Ced-Gee of Ultramagnetic MCs built the track; a Bronx rapper aimed it at Compton and lit the coastal rivalry.

Ced-Gee of Ultramagnetic MCs built the track; a Bronx rapper aimed it at Compton and lit the coastal rivalry.
Marley Marl looped an Eddie Kendricks record; Ace, co-producing his own debut, made Brooklyn sound like a place to watch.

Ice Cube, Mack 10 and WC trading verses, from a debut album that reached number two and went platinum.
Bud'da's beat, Ice Cube, Mack 10 and WC in formation, a West Coast declaration that topped the rap chart.

Never a single, it became the duo's live staple: two Los Angeles crate-diggers immortalizing a 1996 visit to the Bay.

Just Blaze cut it from Supertramp's Crime of the Century, and Fabolous raps it like a man being chased.

Grandmaster Flash's "The Message" under a "Break My Stride" hook, six weeks at number one, and Mase arrives.

Dre put music under Doug E. Fresh and Slick Rick's a cappella original, and Snoop made the story his.

Snoop wrote the hook but label trouble kept him off the record; Warren G took it to number nine.

Sam Sneed and J-Flexx started it as 'The Heist'; Dre and Cube's first record together since N.W.A.

DR Period built it on the Commodores' "Easy," and Cam'ron and Juelz Santana rode it to number three.
Premier's beat under Guru facing a gun charge, cut at D&D Studios and delivered as a sermon on perseverance.

Knobody flipped a Brenda Russell record, Joe sang the hook, and Pun became the first solo Latin rapper certified platinum.

Sounwave's woozy loop, Ab-Soul in the margins, and Lamar naming a generation's numbness on his debut album.

Chuck D aimed it at corporations that profit off Black neighborhoods without reinvesting, and Pete Rock's remix outgrew the original.

Dre and Sam Sneed rebuilt The Sequence's Funk You Up as G-funk, Nanci Fletcher singing the hook to number ten.

Just Blaze built the beat for Memphis Bleek, chopped a Rose Royce vocal, and Cam'ron took it to number four.
EPMD signed them off a talent show they lost, and the iggedy style swallowed hip hop for two years.
First record to lift the Synthetic Substitution break, which hip hop never stopped using, with Kool Keith rhyming deliberately off-beat.

A Faustian bargain told in the first person, later expanded into an eighteen-minute film Dre co-directed with Fab Five Freddy.