
Lawdy Miss Clawdy
1952
Fats Domino sat in on piano at Cosimo Matassa's studio, setting the pattern for New Orleans rock and roll.
★ 6.2

Fats Domino sat in on piano at Cosimo Matassa's studio, setting the pattern for New Orleans rock and roll.
Bill Brown's bass voice, not McPhatter's tenor, carried fourteen weeks at R&B number one past nervous radio programmers.
Kenny's tenor floats, Jones talks the lyric back in bass, and doo-wop inherited that top-and-bottom trick wholesale.

Kizart's amp fell off the car, Phillips stuffed the blown cone with paper, and distorted guitar entered the language.