Father Christmas
Ray Davies cut it at Konk in 1977, a department store Santa mugged by kids who want jobs, not toys.
Ray Davies cut it at Konk in 1977, a department store Santa mugged by kids who want jobs, not toys.

Armstrong spent two months doubting the lyrics until Cavallo pushed him; it went to number one on modern rock radio.

Hoppus and DeLonge wrote in separate rooms, choruses and verses, and Barker's beat locked them together in a day.

DeLonge wrote it after the band's manager complained the album had no feel-good song; a SeaWorld date supplied the rest.

A slow descending riff, Armstrong's insomnia, and a segue into Jaded that welded the two songs together permanently.
Armstrong wrote it about squatting in a West Oakland warehouse, and the Dookie re-recording is the one everyone knows.

Marching boots open the record, and a collapsed Jersey holiday sent the band to Berlin for their subject.
Joey Ramone spliced a jungle-comics heroine with punk's primal charge, and Britain sent it to number twenty-two.
Booked after the Sex Pistols' visas fell through, Costello halted his SNL performance mid-song to play this unreleased attack instead.

Lee Perry produced it after CBS released a single without the band's consent; Topper Headon's first Clash session.
A rewrite of a 1959 novelty called "The Beat Generation", with Quine and Julian's guitars turning parody into manifesto.

Hoppus was twenty-six and picked twenty-three purely for the rhyme; MCA made them drop the title "Peter Pan Complex".

A late drive home from Tony Kanal's house, a father's lecture, and Stefani's first song without brother Eric.

Palm-muted C major at 150 beats a minute, Roger Manning's synth on top, and a boy-band parody video.

Hoppus turned bumping into an ex into four chords, a Trombino production, and pop punk's great shrug at adulthood.
Harry turned a 1973 stalker into a chase song, and Nigel Harrison's riff supplies the relentless forward motion.

Four palm-muted chords, Dirnt's bass doing the melodic work, and a lyric Armstrong wrote after fighting with Adrienne.

Matlock's riff, lifted off ABBA's "SOS", and the sound of a generation deciding not to care.

Strummer and Simonon were in the 1976 Notting Hill Carnival riot; the single ran under two minutes and reached thirty-eight.