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Sean Kingston's team turned it down, so Iyaz took it to number one in Britain and number two at home.

Sean Kingston's team turned it down, so Iyaz took it to number one in Britain and number two at home.

Sean Mackin's violin cutting through the guitars, and an avenue that is really a boulevard in Atlantic Beach, Florida.

Cuomo re-recorded it after crowds sang his original melody back at him, and it topped alternative radio for four weeks.

Named for a 1920s pole-sitting fad, cut in Seattle in 1996, and now inseparable from Peep Show's opening titles.

Greg Camp studied the Billboard top fifty for parts, then Shrek used it as temp music and never replaced it.

Armstrong spent two months doubting the lyrics until Cavallo pushed him; it went to number one on modern rock radio.

Capitol dropped them, so they paid for it themselves; that opening riff bought the whole gamble back.

Hoppus and DeLonge wrote in separate rooms, choruses and verses, and Barker's beat locked them together in a day.

Schlesinger owned up to this one, chasing the Cars; Ocasek assumed the intro was sampled from Just What I Needed.

DeLonge wrote it after the band's manager complained the album had no feel-good song; a SeaWorld date supplied the rest.

Pizzicato cello, a title lifted from Douglas Coupland, and a circus wedding video that won Video of the Year.
Armstrong wrote it about squatting in a West Oakland warehouse, and the Dookie re-recording is the one everyone knows.

Capitol passed on the Clarity demo, then a dropped band self-funded Bleed American and made those wordless hooks stick.

Capitol dropped the band, Trombino produced on credit, and the drum pattern came straight off Tom Petty's You Wreck Me.

Hoppus was twenty-six and picked twenty-three purely for the rhyme; MCA made them drop the title "Peter Pan Complex".

Palm-muted C major at 150 beats a minute, Roger Manning's synth on top, and a boy-band parody video.

Four palm-muted chords, Dirnt's bass doing the melodic work, and a lyric Armstrong wrote after fighting with Adrienne.

Armstrong rewrote it around his undiagnosed panic attacks, cut it at Fantasy Studios, and sold punk to the suburbs.