
Obedear
Roddick emailed tracks from Montreal to James in Halifax, and the album took its title from this song's lyric.

Roddick emailed tracks from Montreal to James in Halifax, and the album took its title from this song's lyric.

Gonzalez wrote it with his brother Yann, and Ken Thomas produced an album that worships John Hughes and eighties synths.

Justin Meldal-Johnsen co-produced at Sunset Sound, and Gonzalez turns unembarrassed optimism into a wall of synthesizers.

Beats emailed from Montreal to Halifax, and James turning anatomy into a love language over Roddick's synths.
Cut to 24-track analog tape at Sonic Ranch in Texas, gauzy organ, Legrand singing a relationship dissolving.

Del Rey wrote it with Lou Reed in mind, then sang the Brooklyn hipster caricature straight, deadpan and unbothered.

A debut single written about her first love, with Stephen Street producing and Mike Mahoney's voice climbing wordlessly out the top.
Bedroom pop in the literal sense, a Gary Low disco record slowed to a crawl, and chillwave had its template.

A house fire left Smith with photographs of Mary salvaged from his wallet, and one became the single's sleeve.

Roback's guitar and Sandoval's half-whisper, the band's only Hot 100 entry, and television's favorite shortcut to longing.

Gonzalez built that shrieking hook from his own distorted voice, then let James King's saxophone close the record.