
The Godfather
The summit of the American crime film: Coppola turned an immigrant family's rise and rot into the country's own epic, and made damnation look like a coronation.

The summit of the American crime film: Coppola turned an immigrant family's rise and rot into the country's own epic, and made damnation look like a coronation.

Welles was twenty-five and had never directed a feature before: he built a portrait of a man whose whole life nobody around him can add up, and changed everything.

Coppola did what almost nobody manages, and made a sequel with a real claim to surpassing the original: two eras of one family run side by side, and the colder one wins.

Screenwriters still take this one apart scene by scene to see how it works: Towne and Polanski built a mystery about stolen water that ends without a shred of mercy.

The best prison film of this century, and it works like a business education: an illiterate nineteen-year-old walks into a French jail and starts learning very fast.