
Raging Bull
Directed by Martin Scorsese
1980
Scorsese shot boxing as penance rather than sport, and audiences come out feeling bruised: De Niro's jealousy destroys everyone near him, in the blackest black and white imaginable.
★ 9.6

Scorsese shot boxing as penance rather than sport, and audiences come out feeling bruised: De Niro's jealousy destroys everyone near him, in the blackest black and white imaginable.

Lynch built a Hollywood that runs entirely on dream logic and trusted the audience to assemble it: the whole thing feels like a half-remembered dream, and people keep returning.

Denis turned Melville's Billy Budd into something closer to dance than to drama: Foreign Legionnaires drilling in the Djibouti heat, all bodies and sun and things nobody will say.

The only James Dean performance released while he was still alive: Steinbeck's Cain and Abel moved to a California lettuce valley, and Dean improvises his way through it.