
The Third Man
Britain has never made a better one, and nothing else sounds like it: a ruined postwar Vienna, and a zither score by a musician Reed first heard playing for the crew.

Britain has never made a better one, and nothing else sounds like it: a ruined postwar Vienna, and a zither score by a musician Reed first heard playing for the crew.

Eleven nominations and eleven wins, a clean sweep no film has bettered: Jackson closed a decade-long gamble with battles at an unattempted scale and an ending that earns its farewells.

Decades of television broadcasts made it what the Library of Congress calls the most-seen film in history: the switch from sepia Kansas into Technicolor Oz still lands like a door opening.

It lost money in cinemas and has sat at the top of IMDb's ranking since 2008: a prison friendship, told patiently, that pays off better than almost anything.

Everyone said the book could not be filmed: Jackson shot three films at once in New Zealand and delivered a Middle-earth so furnished you stop noticing it was invented.

Reichardt makes the quietest films in American cinema, and this one is her warmest: two men on the Oregon frontier, one borrowed cow, and one very small crime.

The Romanian New Wave announced itself with this: an illegal abortion arranged across one day in 1987, filmed in long static takes that give you nowhere to look.