
The Passion of Joan of Arc
No screen performance has been called greater, and its actress never made another film: Dreyer shot Renee Falconetti's face in close-up, and his original cut went missing for fifty years.

No screen performance has been called greater, and its actress never made another film: Dreyer shot Renee Falconetti's face in close-up, and his original cut went missing for fifty years.

Nothing else in cinema moves this slowly and holds this completely: Tarkovsky walks three men into a forbidden zone for nearly three hours, and almost nothing happens.

Godard said it contained the world in an hour and a half: a donkey passes from owner to owner, and Bresson makes cruelty and grace arrive without warning.

The Coens' most personal film and their least forgiving: a Minnesota physics professor's life comes apart for no reason at all, and nobody in it will explain anything.

The Vangelis theme is so famous that people forget the film underneath is about religion: two runners at the 1924 Olympics, one running for God and one against English antisemitism.