
Apocalypse Now
No production has ever gone further off the rails or shown it more clearly: Coppola's Vietnam abandons the war film for pure hallucination, and the helicopters over the trees are permanent.

No production has ever gone further off the rails or shown it more clearly: Coppola's Vietnam abandons the war film for pure hallucination, and the helicopters over the trees are permanent.

The first half is the most quoted boot camp ever filmed: Kubrick found a real Marine drill instructor, let him write half his own material, and made basic training terrifying.

Cimino spends a whole first act on a steel town and a wedding, so that when the war arrives it lands on people you already know by name.

Oliver Stone served in Vietnam and made this to correct everyone else's version: no glamour, no clarity, and a platoon that splits between two sergeants and stays split.

Ron Kovic wrote the book and then the screenplay with Oliver Stone, who had been to the same war: a Long Island boy enlists in 1967, and Tom Cruise abandons his own image.

Robin Williams was handed a microphone and the cameras simply ran: an armed forces disc jockey lands in Saigon in 1965, and everyone above him wants the broadcast back the way it was.

Miramax delayed releasing it after September 11 because the politics looked unpatriotic: Graham Greene's novel about American certainty in 1952 Saigon, with Michael Caine giving his best late performance.

The least mythologizing Vietnam film anyone made: ten days in May 1969 taking one hill that the army abandoned immediately afterward, filmed as almost pure exhaustion and mud.