The Movies canon

Sourced and screened.

Every film chosen by hand and annotated for why it matters.
Browse all 731 films or filter by genre, director, place, and year.

M

Directed by Fritz Lang
1931 · Germany

Serial killer films begin here: Lang used sound as a weapon in his first talkie, gave the murderer a whistled tune, and turned a whole city into a trap.

★ 8.9

Nosferatu

Directed by F. W. Murnau
1922

A court ordered every print destroyed and the film survived anyway: Murnau's unauthorized Dracula gave horror its first permanent image, a shadow climbing a staircase toward a door.

★ 8.4

Das Boot

Directed by Wolfgang Petersen
1981 · Germany

No war film has ever been this claustrophobic: Petersen ran a camera the length of a U-boat again and again until the steel walls start pressing in on you.

★ 8.1

Wings of Desire

Directed by Wim Wenders
1987 · Germany

Wenders filmed a divided Berlin two years before the Wall came down and caught something nobody could stage again: angels listening in on what the people below are thinking.

★ 7.5

Cabaret

Directed by Bob Fosse
1972

Fosse solved the problem every musical has: nobody bursts into song from the heart, every number is performed on a stage, and fascism rises quietly outside the room.

★ 7.3

The Great Escape

Directed by John Sturges
1963

Captivity has never looked like this much fun: Sturges rebuilt a real 1944 breakout from a German camp into tunnel engineering, forged papers and men who refuse to sit still.

★ 6.8

Fitzcarraldo

Directed by Werner Herzog
1982 · Germany

Herzog dragged a 320-ton steamship over a mountain with no models and no effects: his hero wants an opera house in the Amazon, and the production came to resemble the obsession it filmed.

★ 6.8

Downfall

2004

Bruno Ganz plays Hitler as a man rather than a symbol, and Germany argued about the film for a year: the last twelve days in the bunker, filmed without comment or consolation.

★ 6.7

Stalag 17

Directed by Billy Wilder
1953

Wilder made a POW comedy in 1953 and refused to soften the Americans in it: a barracks works out that somebody inside is trading information to the Germans, and starts looking around.

★ 5.8

Judgment at Nuremberg

Directed by Stanley Kramer
1961

Stanley Kramer put real concentration camp footage into a Hollywood film in 1961 and made audiences sit with it: the trial is of judges, which makes the question about everybody.

★ 4.2

Grand Hotel

Directed by Edmund Goulding
1932

It took Best Picture without a single other nomination, which nothing else has managed: Greta Garbo says the line about wanting to be alone, and the one-building ensemble format begins here.

★ 1.8