
In the Mood for Love
Longing has never been filmed better than this: Wong Kar-wai gets more out of a stairwell and one repeated waltz than most directors manage with an entire script.

Longing has never been filmed better than this: Wong Kar-wai gets more out of a stairwell and one repeated waltz than most directors manage with an entire script.

It won four Academy Awards and remains the highest grossing foreign language film ever released in America: wire work so graceful that gravity stops being a consideration.

Woo shoots gunfights the way other directors shoot musical numbers: two pistols, slow motion, doves, and underneath it a straight-faced story about honor between a hitman and the cop hunting him.

Zhang Yimou shot each retelling of one assassination attempt in a different color: Christopher Doyle's photography is so beautiful that the film's politics start an argument every single time.

Scorsese's The Departed is a remake of this, and the Hong Kong original is fifty minutes tighter: two moles assigned to find each other, and a plot that never stops to explain itself.

The Chinese government let Bertolucci shoot inside the Forbidden City, the first Western production ever allowed in: a child emperor is crowned before thousands and then history keeps rearranging him.

It made Chow Yun-fat a superstar and started an entire Hong Kong genre: two brothers on opposite sides of the law, and a gunman in a trenchcoat lighting a cigarette with money.

Donnie Yen plays Bruce Lee's future teacher and does his own fighting throughout: Wing Chun filmed at full speed with long takes, in a Foshan under Japanese occupation.

Christian Bale was thirteen and carries the entire film: Spielberg follows an English boy separated from his parents in occupied Shanghai, and never lets the war become an adventure.