
12 Angry Men
Nothing beats it as a filmed argument, and it happens in a single room: eleven jurors want to go home, one will not, and the temperature keeps rising.

Nothing beats it as a filmed argument, and it happens in a single room: eleven jurors want to go home, one will not, and the temperature keeps rising.

Gregory Peck gave America the father it wanted to believe in: a small-town lawyer defends a Black man in a case the town has already decided, seen through his daughter's eyes.

The closing credits ask the audience not to reveal the ending, and audiences mostly obeyed: Wilder turns an Agatha Christie courtroom into a comedy about a barrister who is supposed to be resting.

The first major studio film to take AIDS seriously, aimed squarely at people who had not: a lawyer sues the firm that fired him, and Bruce Springsteen wrote the opening song.

Law schools use it to teach cross-examination, which no other comedy can claim: two students are arrested in rural Alabama and defended by a cousin who has never tried a case.

Jeremy Irons plays Claus von Bulow as completely unreadable and was rewarded for it: the film is narrated by his wife from the coma she never woke from, and takes no position.