
Harakiri
Directed by Masaki Kobayashi
1962
Kobayashi took the samurai film apart from the inside: an old warrior asks to die in a lord's courtyard, and what he says first dismantles the entire code of honor.
★ 8.2

Kobayashi took the samurai film apart from the inside: an old warrior asks to die in a lord's courtyard, and what he says first dismantles the entire code of honor.

Other directors have been stealing from this western for seventy years: Ford put John Wayne's racism on screen without excusing it, and framed his story in a much-copied doorway.

The western as ritual: Leone holds on faces until the tension turns physical, gives every character a Morricone theme, and makes three hours feel like a ceremony.