skopia
Oppenheimer asked the men who carried out Indonesia's mass killings to restage them as movie scenes, and they agreed gladly: no documentary has ever been braver or harder to sit through.
No romance this century has come close: Kaufman's premise, that you could pay to have someone erased, turns out to be the most honest thing anyone has said about breakups.
It flopped, then quietly redesigned the future: every rainy neon city of the last forty years is borrowing from Ridley Scott, and the mood still outlasts the plot.
Fellini could not think of a film to make, so he made one about that: the result is a circus of memory and fantasy that every artist since has borrowed from.