
Fahrenheit 9/11
Disney refused to release it and it held the documentary box office record for five years: Michael Moore won at Cannes with an argument aimed squarely at an election five months away.

Disney refused to release it and it held the documentary box office record for five years: Michael Moore won at Cannes with an argument aimed squarely at an election five months away.

Greengrass cast real air-traffic controllers and military officers as themselves, and shot in real time: the least exploitative film about September 11 because it refuses every note of uplift.

Petit walked a wire between the Twin Towers in 1974 and Marsh tells it as a heist: the planning, the break-in, and forty-five minutes in the air.

Bigelow filmed a decade-long manhunt as pure procedure and let the audience sit with what it cost: the torture scenes started an argument that has never been settled.