Impression, Sunrise
1872 · Musee Marmottan Monet, Paris
A critic seized on the word in the title to mock the whole group, and the insult ended up naming the movement.
★ 8.6
Browse by time · decade
1870s
1870 – 1879
Showing 19 artworks from the 1870s
Bal du Moulin de la Galette
1876 · Musee d'Orsay, Paris
Sunlight comes through the trees in patches over a Montmartre dance floor, a big ambitious canvas given over entirely to a Sunday afternoon.
★ 8.5
Whistler's Mother
1871 · Musee d'Orsay, Paris
Whistler called it Arrangement in Grey and Black and insisted it was about tone, not feeling. The sitter was his mother, and nobody was fooled.
★ 8.0
Paris Street; Rainy Day
1877 · Art Institute of Chicago, Chicago
Umbrellas cross the wet cobbles of Haussmann's new boulevards, composed with a photographic exactness his Impressionist friends had no use for.
★ 7.6
The Gross Clinic
1875 · Philadelphia Museum of Art, Philadelphia
The surgeon turns from the open incision to lecture, scalpel still bloody, while a woman at the side covers her eyes. Philadelphia was appalled.
★ 7.5
L'Absinthe
1876 · Musee d'Orsay, Paris
Two people sit shoulder to shoulder at a cafe table staring at nothing, pushed off to one side behind a run of empty tables.
★ 7.3
Breezing Up (A Fair Wind)
1876 · National Gallery of Art, Washington, District of Columbia
A man and three boys heel a catboat over into open water, painted in the centennial year and read ever since as the country's optimism.
★ 7.2
Gare Saint Lazare
1877 · Musee d'Orsay, Paris
Monet set his easel up inside the station and painted the steam until the roof and the city beyond it had dissolved into it.
★ 7.1
Snap the Whip
1872 · Metropolitan Museum of Art, New York City
Barefoot boys crack the whip outside a red schoolhouse and the last one is already stumbling. Painted just after the Civil War.
★ 6.9
White Frost
1873 · Musee d'Orsay, Paris
Critics at the first Impressionist show in 1874 said it looked like palette scrapings. The furrows are streaked with blue, violet and gold.
★ 6.6
The Cotton Pickers
1876 · LACMA, Los Angeles
Two young Black women in a cotton field a decade after emancipation, given a gravity American painting had not extended to field labor.
★ 6.5
Boating
1874 · Metropolitan Museum of Art, New York City
Manet painted this beside Monet at Argenteuil and let the blue water climb all the way to the top edge of the canvas.
★ 6.3
The Rehearsal
1879 · The Frick Collection, New York City
Dancers stretch while a spiral staircase cuts the corner and the frame slices figures off. Degas cared about the practice, not the performance.
★ 6.1
A Girl with a Watering Can
1876 · National Gallery of Art, Washington, District of Columbia
She stands in a garden in a blue dress holding a watering can, and Renoir spends the rest of the canvas on light.
★ 6.1
La Promenade
1876 · The Frick Collection, New York City
Two girls walking under trees, the elder leading the younger, everything blurred into one shimmer of dappled light and pale dress.
★ 6.1
Woman Before a Mirror
1876 · Guggenheim, New York City
A woman in a white corset seen from behind, painted so loosely the picture seems to stop just before the image settles.
★ 5.2
Portraits at the Stock Exchange
1879 · Musee d'Orsay, Paris
Degas turned from dancers to financiers, catching heads bent close over documents in the crush of the Paris exchange.
★ 5.2
Ecce Homo (Ciseri)
1871 · Location unknown
We are standing behind Pilate, looking out over his shoulder at the crowd, which puts us among the officials rather than the mob.
★ 4.2
Melancholy
1874 · Phillips Collection, Washington, District of Columbia
A woman slumped back on a sofa, and Degas reads the whole state of mind off the slope of her shoulders.
★ 4.2