On The Road
1957 · 416 pages
Sal Paradise crosses and recrosses America with Dean Moriarty, a car thief who talks nonstop and cannot sit still. Kerouac made restlessness the American subject, and the prose runs on the same fuel.
★ 7.7
The Books canon
Sourced and shelved.
Every book chosen by hand and annotated for why it matters.
Browse all 1,178 books or filter by subject, era, place, and author.
Browse all 1,178 books or filter by subject, era, place, and author.
Naked Lunch
1959 · 304 pages
Addiction as the model for every kind of control: Burroughs turns junk sickness into a shrieking comic nightmare of mad doctors, police, and addicts. Massachusetts put it on trial for obscenity and lost.
★ 6.6
Fear and Loathing in Las Vegas
1971 · 204 pages
Raoul Duke and his attorney drive to Las Vegas with a trunk of narcotics to cover a desert motorcycle race and a drug enforcement conference. The bender becomes Thompson's autopsy of the sixties.
★ 6.4
Dog Soldiers
1974 · 352 pages
Vietnam comes home in a suitcase. A correspondent buys heroin in Saigon and ships it to his wife in California, where the deal collapses into a chase through a country the war broke.
★ 6.3
Confessions of an English Opium-Eater
1821 · 296 pages
De Quincey gives the pleasures of opium first and the pains after, in prose that turns a habit into visionary autobiography. Drug writing from Baudelaire to Burroughs still works his seam.
★ 5.6
The Doors of Perception
1954 · 208 pages
Eight hours on mescaline in 1953, and a vase of flowers turns into the whole universe. The brain filters reality to what keeps us alive, Huxley argues, and the drug lifts the filter.
★ 5.3
A Scanner Darkly
1977 · 289 pages
An undercover narcotics agent is assigned to watch a suspect who is himself, and the drug splitting his brain hemispheres keeps him from noticing. Dick closes by naming the friends he lost.
★ 5.2
Junky
1953 · 197 pages
Burroughs reports his heroin years like a chemist writing up an experiment, from New York hustles to Mexico City rooms and cures that never take. There is no remorse and no lyricism.
★ 4.9