Pine Trees (Shorin-zu byobu)
1595 · Tokyo National Museum, Tokyo
A few pines loom and dissolve on two screens where the bare paper does the work of mist. Japan's finest ink painting, by most accounts.
★ 9.1
The Art canon
Sourced and hung.
Every work chosen by hand and annotated for why it matters.
Browse all 704 works or filter by movement, subject, place, and artist.
Browse all 704 works or filter by movement, subject, place, and artist.
Red and White Plum Blossoms
1715 · MOA Museum of Art, Atami
A stylized river runs down the gold between two plum trees, one young and white, the other old and red, leaning toward each other.
★ 8.8
Travelers Among Mountains and Streams
1000 · National Palace Museum, Taipei
A wall of rock fills two-thirds of the picture and shrinks the mule train below to nothing. Fan Kuan hid his signature in the leaves.
★ 8.7
Early Spring
1072 · National Palace Museum, Taipei
Guo Xi was court painter to the Song emperor and worked from a theory of three distances, shifting the eye between peak, valley and horizon.
★ 8.3
Haboku (Splashed-Ink) Landscape
1495 · Tokyo National Museum, Tokyo
A mountain, a wineshop flag and a boatman conjured from a few wet blots. Sesshu made it as a parting gift for a departing pupil.
★ 8.2
Dwelling in the Fuchun Mountains
1350 · National Palace Museum, Taipei
A collector loved the scroll so much he tried to have it burned with him at death. It was pulled from the fire in two pieces.
★ 8.0
Cypress Trees
1590 · Tokyo National Museum, Tokyo
One ancient cypress sprawls across the screen against solid gold, painted by the man who decorated the castles of Nobunaga and Hideyoshi.
★ 8.0
On a Mountain Path in Spring
1200 · National Palace Museum, Taipei
They called him One-Corner Ma. A scholar and a willow occupy one corner and the rest of the silk is left as air.
★ 7.6
The Rongxi Studio
1372 · National Palace Museum, Taipei
An empty pavilion, a few dry trees, no people at all. Ni Zan gave away his estate and spent his last years on a houseboat.
★ 7.5
Chalk Cliffs on Rugen
1818 · Kunstmuseum Winterthur, Winterthur
Three figures at the lip of a white chalk drop, painted around the time of his marriage, the eye pulled out to sea and straight down.
★ 7.1