
The Great Wave off Kanagawa
Hokusai was in his seventies when he made this, using a Prussian blue newly imported from Europe, with Fuji small and calm in the trough.

Hokusai was in his seventies when he made this, using a Prussian blue newly imported from Europe, with Fuji small and calm in the trough.

Twelve meters of blue and green mountains, ground from azurite and malachite by a court prodigy said to have died before he was twenty.

Hundreds of tiny faces hide in the swirling rocks around Persia's first king, painted for a royal copy of the Shahnama made for Shah Tahmasp.

A man stands on a summit with his back to us, looking out over fog, so that we end up looking at what he sees.

A wall of rock fills two-thirds of the picture and shrinks the mule train below to nothing. Fan Kuan hid his signature in the leaves.

Guo Xi was court painter to the Song emperor and worked from a theory of three distances, shifting the eye between peak, valley and horizon.

A mountain, a wineshop flag and a boatman conjured from a few wet blots. Sesshu made it as a parting gift for a departing pupil.

Cézanne painted his local mountain over and over, less to record it than to rebuild it out of flat patches of green, ochre and blue.

A collector loved the scroll so much he tried to have it burned with him at death. It was pulled from the fire in two pieces.

Instead of copying idealized Chinese scenery, Jeong Seon walked out and painted a real hill above Seoul with the rain just lifting off it.

Bierstadt went west with a survey expedition and came home with peaks lit like an opera set, which is what the country wanted.

The eye sweeps from pines on the cliff across Suruga Bay to Fuji, a whole vista folded into a few flat planes of color.

The hills buckle and heave in the same thick strokes he gave his skies, so that the rock ends up moving too.

Travelers go about their day along the road and Fuji sits pale behind them, near and far balanced with Hiroshige's usual quiet.

Red New Mexico hills roll across the canvas with a few flowers brought right up close, the vast and the fragile in one frame.