
The Third of May 1808
A lantern lights a man in a white shirt throwing his arms wide before the firing squad. Goya painted it six years later.

A lantern lights a man in a white shirt throwing his arms wide before the firing squad. Goya painted it six years later.

Goya painted this straight onto the wall of his own house in his last bitter years and never meant anyone else to see it.

Not a goddess but a real woman looking straight back, which is why the Inquisition took an interest. Goya painted a clothed version too.

Goya put himself at an easel in the shadows, as Velázquez had, and painted the royal family looking vacant, pompous or merely plain.

The same woman, same cushions, same pose, now dressed. It is thought to have hung in front of the nude and slid aside.

A giant stands with his head in the clouds while everything below scatters. Whether Goya actually painted it is now disputed.

Two women in white smile out from the railing while two men in dark cloaks stand behind them in the shadow, watching.

Three smiths at a forge, one hammer at the top of its swing. Goya gave laboring men the scale usually kept for gods and kings.

An old man on two sticks, with Aun aprendo written underneath. Goya drew it in exile and failing health, near the end.