The Birth of Venus
1486 · Uffizi Gallery, Florence
Venus arrives on a scallop shell in a fall of roses, painted on canvas at a time when almost everyone still worked on panel.
★ 9.7
The Art canon
Sourced and hung.
Every work chosen by hand and annotated for why it matters.
Browse all 704 works or filter by movement, subject, place, and artist.
Browse all 704 works or filter by movement, subject, place, and artist.
Bacchus and Ariadne
1523 · National Gallery, London
Bacchus leaps from his chariot toward Ariadne while Theseus's ship slips off the horizon, painted for a duke's private chamber in Ferrara.
★ 8.9
Venus of Urbino
1538 · Uffizi Gallery, Florence
Titian woke Giorgione's sleeping Venus, brought her indoors, and had her look straight at us, probably to mark a wedding in Urbino.
★ 8.7
Saturn Devouring His Son (Goya)
1823 · El Prado, Madrid
Goya painted this straight onto the wall of his own house in his last bitter years and never meant anyone else to see it.
★ 8.5
Death of Sardanapalus
1827 · Louvre, Paris
The king watches from his red bed while everything he owns is killed in front of him, on his own orders, before the pyre.
★ 7.8
Rape of the Daughters of Leucippus
1618 · Alte Pinakothek, Munich
Two horsemen haul two women up onto rearing horses, and the whole canvas spins into one great X of limbs and hooves.
★ 7.4
Bacchus
1595 · Uffizi Gallery, Florence
A real Roman boy dressed up as the wine god, heavy-lidded and slightly flushed, holding out a glass while the fruit beside him bruises.
★ 7.3
The Triumph of Galetea
1511 · Villa Farnesina, Rome
Asked where he found so beautiful a model, Raphael said he worked instead from a certain idea of beauty he carried in his head.
★ 7.2
Venus and Mars
1483 · National Gallery, London
Mars sleeps the sleep of the spent lover while satyrs make off with his lance, one blowing a conch in his ear without waking him.
★ 7.2
The Intervention of the Sabine Women
1799 · Louvre, Paris
Hersilia throws herself between the two armies with her arms out. David painted it after the Terror, arguing for reconciliation instead of oaths.
★ 7.1
Venus and Adonis
1553 · El Prado, Madrid
Venus twists round to hold him back and he pulls away toward the hunt that will kill him. Cupid sleeps in the shade, useless.
★ 7.0
Danae
1554 · Kunsthistorisches Museum, Vienna
Zeus arrives as a shower of gold and the old nurse scrambles to catch the coins in her apron while Danae simply reclines.
★ 6.9
Jupiter and Io
1533 · Kunsthistorisches Museum, Vienna
Jupiter has turned himself into a grey cloud, and a dim face and hand come out of the mist to hold her.
★ 6.8
The Colossus
1812 · El Prado, Madrid
A giant stands with his head in the clouds while everything below scatters. Whether Goya actually painted it is now disputed.
★ 6.8
Dante and Virgil (The Barque of Dante)
1822 · Louvre, Paris
Delacroix's debut, and the damned are biting the hull. Romanticism announced itself with churning water and bodies learned from Rubens.
★ 6.8
A Satyr Mourning over a Nymph
1495 · National Gallery, London
A satyr kneels and touches the dead woman with extraordinary gentleness while her dog keeps watch and wading birds stand along the shore.
★ 6.7
Metamorphosis of Narcissus
1937 · Tate Modern, London
The kneeling figure on the left is the same shape as the stone hand on the right, holding an egg with a flower coming out.
★ 6.7
Danae
1531 · Galleria Borghese, Rome
Cupid pulls back the sheet while two putti sharpen their arrows on a whetstone at the foot of the bed. Painted for the Duke of Mantua.
★ 6.6
Oedipus and the Sphinx
1808 · Louvre, Paris
Oedipus leans in close to answer the riddle, and a previous contestant's foot is lying at the bottom edge as a warning.
★ 6.5
Danae
1907 · Private collection
Zeus arrives as a stream of gold coins and ornament between her thighs, and Klimt makes no attempt to be subtle about it.
★ 6.3
Saturn Devouring His Son (Rubens)
1636 · El Prado, Madrid
Saturn bites into his own infant to stop the prophecy, the star of Saturn overhead. Goya would take the same subject somewhere much worse.
★ 6.3
Parnassus
1497 · Louvre, Paris
The Muses dance to Apollo's lyre while Venus's cuckolded husband fumes at his forge off to the left. Painted for Isabella d'Este's study.
★ 6.1
Perseus Rescuing Andromeda
1513 · Uffizi Gallery, Florence
The sea-monster is part fish and part beast and thoroughly invented, and some of the onlookers on the shore have started playing music.
★ 6.1
Leda and the Swan (Correggio)
1532 · Gemaldegalerie, Berlin
The story runs across the canvas in stages, arrival to departure. A later owner cut Leda's head out in disgust and it was repainted.
★ 5.7
Ascanius Shooting the Stag of Sylvia
1682 · Ashmolean, Oxford, England
Ascanius draws his bow on a tame stag, the shot that starts a war in the Aeneid, and Claude paints it as a calm golden evening.
★ 5.7
Circe and Her Lovers in a Landscape
1525 · National Gallery of Art, Washington, District of Columbia
An enchantress sits in a wood ringed by deer, dogs, owls and a stork, which may be men she has transformed. Dossi leaves it unresolved.
★ 5.7
The Judgment of Paris
1527 · Statens Museum for Kunst, Copenhagen
Paris turns up as a German knight in plate armor and the three goddesses wear nothing but jewels and improbable hats.
★ 5.7
Leda Atomica
1949 · Teatro-Museo Dali, Figueres
Nothing in the picture touches anything else. Dalí built it on the physics of the atom, where matter is mostly empty space.
★ 5.6
The Birth and Triumph of Venus
1740 · Nationalmuseum, Stockholm
Venus in a pearly sea with nymphs, tritons and putti all around, made entirely to delight and not at all to instruct.
★ 5.2
Apollo and Daphne
1525 · Galleria Borghese, Rome
Dossi swapped Apollo's ancient lyre for a modern viol, and Daphne is already sprouting into laurel in the far distance.
★ 4.8
Romulus and Remus Given Shelter by Faustulus
1643 · Louvre, Paris
The shepherd carries the twins home to his wife with the she-wolf still nearby. Rome's founding myth as a foundling story.
★ 4.8
Leda and the Swan
1882 · The Barnes Foundation (Philadelphia), Philadelphia
The swan nips her hand and Leda barely reacts. Cézanne cared about the planes of the body, not the story.
★ 4.8