
Saint Jerome Writing
Jerome reaches across the table for the inkpot with a skull holding down his papers. Scholarship as physical labor, in a single hard light.

Jerome reaches across the table for the inkpot with a skull holding down his papers. Scholarship as physical labor, in a single hard light.

A murdered woman on a divan, a calm man listening to a gramophone, and two men with a club and a net waiting outside the door.

A curve of the guitar, some stenciled letters, and otherwise a lattice of brown and grey. Braque and Picasso developed this together, canvas by canvas.

Critics at the first Impressionist show in 1874 said it looked like palette scrapings. The furrows are streaked with blue, violet and gold.

A Union jacket lies discarded in the corner while the man who wore it swings a scythe through wheat, which is the whole point.

A black figure with a red dot for a heart falls through blue, cut from paper because Matisse could no longer stand at an easel.

Six blind men go down one after another, and Bruegel painted their clouded eyes accurately enough for doctors to diagnose the conditions.

The officer's hat and back loom enormous in the foreground while the girl sits small and bright beyond, which is exactly how the eye works.

Blake's Urizen leans out of the sun with a golden compass to measure the void, and Blake was not sure whether to admire him.

Men in bowler hats hang in the sky over the rooftops at even intervals, neither falling nor floating, which is somehow the unsettling part.

A family is tortured in a room too small for it, painted in Germany in 1919 with the war and the revolution just finished.

The surgeon turns from the open incision to lecture, scalpel still bloody, while a woman at the side covers her eyes. Philadelphia was appalled.

Magritte called the floating apple a kind of self-portrait, about how much we want to see the thing that is being hidden.

A clown in white satin stands alone at full length with his arms hanging useless, given the scale of a grand portrait.

Everything is scraped off the bronze except forward motion. One cast briefly held the record for the most expensive sculpture ever sold.

Zulaykha shuts the last door behind Yusuf, and Bihzad turns the palace into a honeycomb of tile and stairs as taut as the story.

Wood posed his sister and his dentist in front of a farmhouse window, and people have argued ever since whether he meant tribute or mockery.

A man stands on a summit with his back to us, looking out over fog, so that we end up looking at what he sees.

Rodin first made this figure as Dante brooding over the Gates of Hell, then enlarged him and set him thinking alone on a rock.