The Lamentation
1582 · Metropolitan Museum of Art, New York City
The body pushed close to the viewer and lit in sharp pools. The Carracci taught a generation to weld grandeur to direct feeling.
★ 4.4
The Art canon
Sourced and hung.
Every work chosen by hand and annotated for why it matters.
Browse all 704 works or filter by movement, subject, place, and artist.
Browse all 704 works or filter by movement, subject, place, and artist.
The Annunciation (David)
1506 · Metropolitan Museum of Art, New York City
This is only the angel. Mary received the message on a companion panel, and the two now hang together as a pair.
★ 4.8
The Milkmaid (van Leyden)
1510 · Metropolitan Museum of Art, New York City
A milkmaid, a herdsman and two cows, and almost nothing happening. One of the first prints to take peasants as a subject worth the burin.
★ 5.2
Fragment of a Queen's Face
Artist unknown
1340 BC · Metropolitan Museum of Art, New York City
Only the mouth and chin survive, in honey-yellow jasper, and the break seems to concentrate the thing rather than diminish it.
★ 5.6
Prisoners from the Front
1866 · Metropolitan Museum of Art, New York City
A Union officer faces three captured Confederates and the two halves of the country study each other. Homer had covered the war as an illustrator.
★ 5.6
Woman with a Parrot
1866 · Metropolitan Museum of Art, New York City
Courbet took the nude to the Salon with her hair loose, her body relaxed, and a parrot on her hand instead of a myth.
★ 5.7
The Moon Through a Crumbling Window
1886 · Metropolitan Museum of Art, New York City
Bodhidharma meditates before a broken lattice with the moon behind it. Yoshitoshi is reckoned the last great master of the woodblock print.
★ 5.9
Perseus with the Head of Medusa
1806 · Metropolitan Museum of Art, New York City
When Napoleon carried off the Apollo Belvedere, the Vatican put this on the empty pedestal, a modern work judged fit for the company.
★ 5.9
Mummy Portrait of a Boy (Eutyches)
Artist unknown
130 · Metropolitan Museum of Art, New York City
Painted in hot colored beeswax and bound over the face of a mummy. The strokes are still visible and the eyes startlingly present.
★ 6.1
Christ Carrying the Cross (El Greco)
1580 · Metropolitan Museum of Art, New York City
El Greco stripped out the crowd and the road and left the face and the embraced wood, a formula he repeated many times for Toledo.
★ 6.1
Boating
1874 · Metropolitan Museum of Art, New York City
Manet painted this beside Monet at Argenteuil and let the blue water climb all the way to the top edge of the canvas.
★ 6.3
Reclining Nude
1917 · Metropolitan Museum of Art, New York City
African masks, Cycladic figures and Renaissance Venuses, folded into one long golden diagonal. Among the most expensive paintings ever sold.
★ 6.3
Majas on a Balcony
1810 · Metropolitan Museum of Art, New York City
Two women in white smile out from the railing while two men in dark cloaks stand behind them in the shadow, watching.
★ 6.5
Garden at Sainte-Adresse
1867 · Metropolitan Museum of Art, New York City
Monet's own father sits among the gladioli on a terrace, and the young painter tips the space up in flat bands like a Japanese print.
★ 6.6
The Veteran in a New Field
1865 · Metropolitan Museum of Art, New York City
A Union jacket lies discarded in the corner while the man who wore it swings a scythe through wheat, which is the whole point.
★ 6.7
Martin Luther
1532 · Metropolitan Museum of Art, New York City
Cranach was Luther's friend and godfather to his children, and his workshop turned out this face by the score for Protestant Germany.
★ 6.7
The Fortune Teller (de la Tour)
1630 · Metropolitan Museum of Art, New York City
While the old woman reads his palm, three young accomplices are quietly taking his purse and lifting a medal off his neck.
★ 6.8
Mezzetin
1720 · Metropolitan Museum of Art, New York City
He sings up at a window and nobody comes, while behind him a stone statue has its back turned.
★ 6.8
Ugolino and His Sons
1867 · Metropolitan Museum of Art, New York City
Ugolino bites his own knuckles while his sons starve against his legs, from the passage in Dante where he is tempted to eat them.
★ 6.8
Madonna and Child (Duccio)
1300 · Metropolitan Museum of Art, New York City
Christ reaches up to push his mother's veil aside. Scorch marks on the original frame record centuries of candles set before it.
★ 6.8
Adam and Eve (Durer)
1504 · Metropolitan Museum of Art, New York City
Cat, mouse, rabbit, ox and elk stand for the temperaments held in balance, and the cat is about to pounce.
★ 6.8
Kindred Spirits
1838 · Metropolitan Museum of Art, New York City
Thomas Cole and the poet Bryant stand on a ledge in the Catskills. Durand painted it as a memorial after Cole died young.
★ 6.8
The Rocky Mountains, Lander's Peak
1863 · Metropolitan Museum of Art, New York City
Bierstadt went west with a survey expedition and came home with peaks lit like an opera set, which is what the country wanted.
★ 6.8
Snap the Whip
1872 · Metropolitan Museum of Art, New York City
Barefoot boys crack the whip outside a red schoolhouse and the last one is already stumbling. Painted just after the Civil War.
★ 6.9
The Oxbow
1836 · Metropolitan Museum of Art, New York City
Wilderness under storm on the left, farmland in sunshine on the right, and Cole himself down in the middle, tiny, looking up from his easel.
★ 7.2
Young Woman with a Water Jug
1662 · Metropolitan Museum of Art, New York City
One hand on the pitcher, one on the window latch, and morning light coming through onto a white cap. Nothing happens, perfectly.
★ 7.2
Fur Traders Descending the Missouri
1845 · Metropolitan Museum of Art, New York City
A trapper and his son drift downriver at first light with a chained animal at the prow, the water so still it doubles them.
★ 7.2
Washington Crossing the Delaware
1851 · Metropolitan Museum of Art, New York City
Almost every detail is wrong, including the flag and the boat, and Leutze painted it in Germany seventy-five years after the fact.
★ 7.2
Bain a la Grenouillere
1869 · Metropolitan Museum of Art, New York City
Monet and Renoir set up side by side at this riverside resort and worked out the quick broken stroke that became Impressionism.
★ 7.3
The Death of Socrates
1787 · Metropolitan Museum of Art, New York City
Socrates reaches for the hemlock without looking at it, still arguing with his other hand while his students fall apart around him.
★ 7.4
Wheat Field with Cypresses
1889 · Metropolitan Museum of Art, New York City
Van Gogh loved the cypress and compared it to an Egyptian obelisk, then set one flaming up the right side of a Provençal field.
★ 7.5
The Harvesters
1565 · Metropolitan Museum of Art, New York City
One man lies flat on his back with his mouth open while the others cut wheat. Late summer, from the same series of months.
★ 7.7
Portrait of Juan de Pareja
1650 · Metropolitan Museum of Art, New York City
Pareja was Velázquez's enslaved assistant, freed soon after this was painted in Rome as a warm-up before the pope sat for him.
★ 7.8
Otani Oniji III as Yakko Edobei
1794 · Metropolitan Museum of Art, New York City
Sharaku made about 140 actor prints in ten months and then vanished so completely that people still argue about who he was.
★ 7.9
Madame X
1884 · Metropolitan Museum of Art, New York City
The strap fell off her shoulder in the 1884 version, Paris was scandalized, her family demanded it come down, and Sargent repainted the strap.
★ 8.0
View of Toledo
1610 · Metropolitan Museum of Art, New York City
El Greco moved the cathedral tower off its real site for the sake of the composition and lit the whole city with a green storm.
★ 8.4
Autumn Rhythm (Number 30)
1950 · Metropolitan Museum of Art, New York
Pollock worked on the floor and moved around the canvas instead of standing at an easel, laying black enamel across raw cotton in 1950.
★ 8.6
Melencolia I
1514 · Metropolitan Museum of Art, New York
A winged figure sits with her compass idle among abandoned tools, and no print in history has drawn more scholarly argument.
★ 8.6