The Guitarist
1755 · Musee d'Arts Nantes, Nantes
A young man glances up from his guitar mid-song. Greuze usually painted tearful moral lessons, and here he simply does not.
★ 4.2
The Art canon
Sourced and hung.
Every work chosen by hand and annotated for why it matters.
Browse all 704 works or filter by movement, subject, place, and artist.
Browse all 704 works or filter by movement, subject, place, and artist.
Melancholy
1874 · Phillips Collection, Washington, District of Columbia
A woman slumped back on a sofa, and Degas reads the whole state of mind off the slope of her shoulders.
★ 4.2
Self-Portrait (Rivera)
1907 · Museo Dolores Olmedo Patino, Mexico City
Rivera as a student in Europe, years before the murals, still working inside the academic tradition he would later blow up.
★ 4.2
St. John the Evangelist
1469 · The Frick Collection, New York City
John stands lost in his book, wrapped in red cloth massed like masonry. One wing of an altarpiece now scattered across five cities.
★ 4.4
Self-Portrait (Caillebotte)
1892 · Musee d'Orsay, Paris
One of the Impressionist canvases he owned hangs on the wall behind him. Caillebotte's money and his bequest kept the movement alive.
★ 4.4
Mona Lisa (Botero)
1978 · Location unknown
Botero inflated the most famous face in the world until the little mouth vanished into acres of cheek. Affectionate rather than cruel.
★ 4.4
Portrait of Dante
1495 · Private collection
Dante had been dead nearly two centuries, so this is not a likeness but a verdict, struck in profile like a coin.
★ 4.8
Portrait of a Man, Aged 93
1521 · Albertina, Vienna
An inscription gives his age as ninety-three. Dürer drew him in Antwerp and used the head soon after for a Saint Jerome.
★ 4.8
Artillerymen (Rousseau)
1893 · Guggenheim, New York City
A regiment posed around its cannon like a group photograph that has gone charmingly rigid. Rousseau was a customs officer painting in his spare time.
★ 4.8
Portraits at the Stock Exchange
1879 · Musee d'Orsay, Paris
Degas turned from dancers to financiers, catching heads bent close over documents in the crush of the Paris exchange.
★ 5.2
Portrait of Angel Fernandez de Soto
1903 · Private collection
They shared a Barcelona studio, and Soto was known as a hard drinker, but Picasso painted him sober and sad in blue.
★ 5.2
The Presidential Family
1967 · Museum of Modern Art, New York City
President, wife, child, bishop and general, all inflated into balloons and posed with great solemnity in front of a volcano.
★ 5.2
St. Jerome
1600 · The Frick Collection, New York City
Not the desert hermit but the Doctor of the Church, in cardinal's red with one long hand resting on his own translation of the Bible.
★ 5.4
Clown with Lute
1623 · Louvre, Paris
Caught mid-strum with his cap askew and his mouth open, painted so fast the brushstrokes still seem to be moving.
★ 5.4
Family Reunion
1867 · Musee d'Orsay, Paris
Eleven of the painter's family on a shaded terrace near Montpellier. Bazille was killed in the Franco-Prussian War at twenty-eight.
★ 5.4
Portrait of Jean Cocteau
1917 · Private collection
Cocteau sits stiffly upright with his neck drawn long, one of the sharpest personalities in Paris turned into an elegant mask.
★ 5.4
Woman with Folded Arms (Femme aux Bras Croises)
1902 · Private collection
Her crossed arms are a wall against the world, and the blue does the rest. Picasso was painting the outcast and the destitute.
★ 5.6
Self-Portrait with a Cigarette
1923 · Museum of Modern Art, New York City
Beckmann had spent the war as a medical orderly, and he looks out of the shadows here like a man finished being surprised.
★ 5.6
Portrait of a Man (Memling)
1470 · The Frick Collection, New York City
Memling put his sitters in front of open countryside instead of a dark ground, an idea that traveled to Italy and came back changed.
★ 5.9
Mummy Portrait of a Boy (Eutyches)
Artist unknown
130 · Metropolitan Museum of Art, New York City
Painted in hot colored beeswax and bound over the face of a mummy. The strokes are still visible and the eyes startlingly present.
★ 6.1
Self-Portrait (Rembrandt, 1629)
1629 · Rijksmuseum, Amsterdam
Rembrandt was barely in his twenties and using his own face as a laboratory for light. Dozens more would follow over forty years.
★ 6.1
Man with Crossed Arms
1900 · Guggenheim, New York City
Cézanne cared less who the man was than whether the head would hold together as structure, and the slight asymmetries keep it alive.
★ 6.1
Portrait of a Young Man
1517 · National Gallery, London
He swivels over his shoulder to look at you, holding a block that nobody can identify, and his name has been lost entirely.
★ 6.1
Triple Portrait of Cardinal de Richelieu
1642 · National Gallery, London
Richelieu appears three times on one canvas so that a sculptor in Rome could carve a bust without ever meeting him.
★ 6.3
Meagre Company
1637 · Rijksmuseum, Amsterdam
Hals left this militia portrait unfinished and another painter finished the right-hand figures, a join you can still see if you look.
★ 6.3
St. Francis Standing
1660 · Museum of Fine Arts (Boston), Boston
No landscape, no story, just a man in patched brown wool holding a skull and one shaft of light finding him in the dark.
★ 6.3
The Beaneater
1580 · Galleria Colonna, Rome
A peasant looks up from his beans as though caught, spoon halfway to his mouth. Painted decades before Caravaggio's followers made a career of this.
★ 6.3
Portrait of a Young Princess
1435 · Louvre, Paris
She sits in profile against a hedge of carnations with butterflies going past, a sprig of juniper on her sleeve punning on her name.
★ 6.5
The Ugly Duchess
1513 · National Gallery, London
Satire on old age aping youth, in a headdress two generations out of date. Tenniel used her for the Duchess in Alice in Wonderland.
★ 6.5
The Madwoman
1823 · Musee des Beaux Arts Lyon, Lyon
One of a series Géricault painted of asylum patients for a doctor studying obsession, and he gave her the seriousness of a commissioned portrait.
★ 6.5
Self-Portrait (Poussin)
1650 · Private collection
Poussin stands in front of his own blank stretched canvases with a portfolio under his arm, presenting himself as a thinker rather than a craftsman.
★ 6.5
LHOOQ
1919 · Philadelphia Museum of Art, Philadelphia
Duchamp bought a postcard of the Mona Lisa, drew a moustache on it, and added five letters that make a crude joke in French.
★ 6.5
Portrait of Thomas Cromwell
1533 · The Frick Collection, New York City
Cold competence and nothing else. Holbein painted him as a near-pendant to Thomas More, whom Cromwell helped send to the scaffold.
★ 6.5
The Desperate Man (Self-portrait)
1845 · Private collection
Courbet at twenty-six, lunging at the viewer with both hands in his hair and his eyes wide. Half self-portrait, half performance.
★ 6.5
Woman Combing Her Hair
1920 · Art Institute of Chicago, Chicago
Goyo oversaw every stage of his prints himself and finished only a handful before dying young. This is the one everyone knows.
★ 6.5
Boy with a Basket of Fruit
1593 · Galleria Borghese, Rome
Fruit already spotting toward rot, painted with the same attention as the boy holding it. An early statement of what Caravaggio intended.
★ 6.6
Self-Portrait in the Green Bugatti
1925 · Location unknown
She painted herself at the wheel in leather helmet and gloves for a German fashion magazine, and invented the look of the Jazz Age.
★ 6.7
Portrait of Simonetta Vespucci
1490 · Musee Conde, Chantilly
She had been dead for years when this was painted, and the asp at her throat turns her into Cleopatra.
★ 6.7
Portrait of Agnolo Doni
1506 · Palazzo Pitti, Florence
Raphael had just arrived in Florence and studied the Mona Lisa hard, then did the same pose in clear light instead of smoke.
★ 6.7
The Dream (La Reve)
1932 · Private collection
Marie-Thérèse asleep in a red armchair, her face split into curves. Picasso is said to have done it in a single afternoon.
★ 6.7
Martin Luther
1532 · Metropolitan Museum of Art, New York City
Cranach was Luther's friend and godfather to his children, and his workshop turned out this face by the score for Protestant Germany.
★ 6.7
Wedding Portrait of Isaac Massa and Beatrix van der Laen
1622 · Rijksmuseum, Amsterdam
A married couple sitting on the grass, leaning into each other and visibly amused, which is not how marriage portraits were done.
★ 6.8
Gypsy Girl
1626 · Louvre, Paris
Not a commission but a tronie, a character study made to show off. Hals catches her half-laugh before it has finished.
★ 6.8
Frederic Chopin
1838 · Louvre, Paris
It was half of a double portrait with George Sand listening at the piano, until somebody cut the canvas in two.
★ 6.8
Portrait of a Man
1476 · National Gallery, London
A red cap, a parapet, and a gaze that meets yours. Antonello brought the Netherlandish portrait into Italy and killed off the profile.
★ 6.8
Narcissus
1599 · Galleria Nazionale d'Arte Antica, Rome
Narcissus and his reflection close into a circle around a band of black water, and nothing else exists in the picture.
★ 6.8
Mars
1641 · El Prado, Madrid
Mars sits naked and deflated in a plumed helmet with his armor on the floor, looking more like a tired old soldier.
★ 6.8
Boy with a Pipe
1905 · Private collection
A boy from the street in a crown of roses, painted the year Picasso's blue gloom warmed into rose.
★ 6.9
The Merry Drinker
1630 · Rijksmuseum, Amsterdam
He raises his glass and talks straight at you, painted in slashing strokes laid down about as fast as the moment they catch.
★ 6.9
A Young Girl Reading
1776 · National Gallery of Art, Washington, District of Columbia
For once Fragonard is not being naughty. A girl in yellow reads, and the ruff at her wrist is a few flicks of impasto.
★ 6.9
The Clothed Maja
1800 · El Prado, Madrid
The same woman, same cushions, same pose, now dressed. It is thought to have hung in front of the nude and slid aside.
★ 6.9
Portrait of Sir Thomas More
1527 · The Frick Collection, New York City
Holbein arrived in England on a letter from Erasmus and painted More at the height of his power. Within a few years More was executed.
★ 7.1
Paul Revere
1768 · Museum of Fine Arts (Boston), Boston
Copley painted the silversmith in his shirtsleeves at the bench with a teapot in his hand, which was not how gentlemen were usually shown.
★ 7.1
Three Women
1922 · Museum of Modern Art, New York City
Three nudes turned on a lathe, smooth and tubular, laid out among furniture built to match. The odalisque redone for the age of the factory.
★ 7.1
Ginevra de Benci
1478 · National Gallery of Art, Washington, District of Columbia
A juniper bush stands behind her as a pun on her name. The panel was later cut down at the bottom, taking her hands with it.
★ 7.2
Portrait of Desiderius Erasmus
1523 · Louvre, Paris
Erasmus is caught mid-sentence with the pen still moving. He sent portraits like this across Europe as a kind of intellectual calling card.
★ 7.2
Louis XIV
1701 · Louvre, Paris
At sixty-three the king still turns out one leg to show the dancer's calf he was proud of, under a cascade of ermine and fleurs-de-lis.
★ 7.2
Self-portrait With Thorn Necklace and Hummingbird
1940 · Harry Ransom Center, Austin
A thorn necklace draws blood at her throat, a dead hummingbird hangs from it, and a monkey and a black cat watch from behind.
★ 7.2
Charles IV of Spain and His Family
1800 · El Prado, Madrid
Goya put himself at an easel in the shadows, as Velázquez had, and painted the royal family looking vacant, pompous or merely plain.
★ 7.2
Three Studies of Lucian Freud
1969 · Private collection
Freud sits on a wooden chair in three panels, wrenched out of shape and still unmistakably himself. Bacon painted his friend and rival.
★ 7.2