Mediterranean Landscape
1952 · Albertina, Vienna
The whole coast reduced to a few flat zones of color and some quick line. Picasso old, settled in the south, and enjoying himself.
★ 4.4
The Art canon
Sourced and hung.
Every work chosen by hand and annotated for why it matters.
Browse all 704 works or filter by movement, subject, place, and artist.
Browse all 704 works or filter by movement, subject, place, and artist.
Grand Canal Venice
1905 · Toledo Museum of Art, Toledo, Ohio
Gondolas on water that has shattered into pink, blue and gold. Signac took the divisionist dot to the most painted view in Europe.
★ 4.8
Landscape at La Ciotat
1907 · Museum of Modern Art, New York City
Hot pinks and oranges laid on freely, a year before Cézanne and Picasso's Demoiselles sent Braque off toward Cubism instead.
★ 4.8
The Elephants
1948 · Private collection
Two elephants carrying obelisks on legs far too spindly to hold them, which is the entire effect and it works.
★ 4.8
Tahitian Mountains
1893 · Minneapolis Institute of Arts, Minneapolis
Green and rose slopes flattened into bold shapes, with rather less interest in what the island actually looked like than in the color.
★ 5.2
Train Smoke
1900 · The Munch Museum, Oslo
One puff of steam drifts across a curving shoreline, the modern world putting a small mark on a landscape that had none.
★ 5.2
Little Harbor in Normandy
1909 · Art Institute of Chicago, Chicago
Boats and masts broken into tilting green and brown planes, painted while Braque and Picasso were building Cubism out of Cézanne.
★ 5.2
The Disintegration of the Persistence of Memory
1954 · Salvador Dali Museum, St. Petersburg, Florida
Dalí went back to his own melting watches and broke the ground beneath them into floating bricks, for the atomic age.
★ 5.2
The Hermitage at Pontoise
1867 · Guggenheim, New York City
Plain village houses on a hillside, built in solid earthy blocks. Pissarro refused to prettify the countryside and gave it structural weight instead.
★ 5.4
View of Mount Fuji from Harajuku
1850 · Location unknown
Travelers go about their day along the road and Fuji sits pale behind them, near and far balanced with Hiroshige's usual quiet.
★ 5.9
Swans Reflecting Elephants
1937 · Private collection
Three swans on a lake, and in the reflection the necks have become trunks and the trees have become legs.
★ 6.1
Chichester Canal
1828 · Tate Modern, London
Masts stand black against a sky going from gold to soft blue, and almost nothing else in the picture is solid.
★ 6.1
Morning in the Village After Snowstorm
1912 · Guggenheim, New York City
Peasants and houses rendered as polished metal cylinders. Malevich was three years away from painting a black square and stopping.
★ 6.1
Winter Landscape with Ice Skaters
1608 · Rijksmuseum, Amsterdam
Hundreds of tiny figures skating, sledging and falling over on one frozen river. Avercamp was deaf and mute and known as the mute of Kampen.
★ 6.1
Mountains at Saint-Remy
1889 · Guggenheim, New York City
The hills buckle and heave in the same thick strokes he gave his skies, so that the rock ends up moving too.
★ 6.3
We are Making a New World
1918 · Imperial War Museum, London
Splintered stumps and shell craters under a cold sun, and Nash gave it that title on purpose, as an official British war artist.
★ 6.5
Europe After the Rain II
1942 · Wadsworth Atheneum, Hartford
Ernst made the eaten-away textures by pressing and lifting paint, working on it while fleeing occupied Europe for America.
★ 6.5
View of Mount Fuji from Satta Point
1859 · Location unknown
The eye sweeps from pines on the cliff across Suruga Bay to Fuji, a whole vista folded into a few flat planes of color.
★ 6.5
Yellow Cow
1911 · Guggenheim, New York City
Marc used yellow for whatever was gentle and joyful, and this cow is kicking its legs out across the hills for the pleasure of it.
★ 6.5
White Frost
1873 · Musee d'Orsay, Paris
Critics at the first Impressionist show in 1874 said it looked like palette scrapings. The furrows are streaked with blue, violet and gold.
★ 6.6