Allegory of Gluttony and Lust
1500 · Yale Art Gallery, New Haven
A man rides a wine barrel while swimmers chase a floating pie. It was sawn off the bottom of the Ship of Fools.
★ 5.2
The Art canon
Sourced and hung.
Every work chosen by hand and annotated for why it matters.
Browse all 704 works or filter by movement, subject, place, and artist.
Browse all 704 works or filter by movement, subject, place, and artist.
Summer
1563 · Kunsthistorisches Museum, Vienna
A cucumber nose, a peach cheek, a garlic-clove ear, and Arcimboldo's own name woven into the collar of plaited straw.
★ 5.2
Autumn
1572 · Louvre, Paris
A head of pears and pomegranates crowned with grapes, sitting in a split wooden barrel bound with willow hoops. The season of the wine harvest.
★ 5.2
Spring
1573 · Louvre, Paris
Rosebud lips, a lily for a nose, and hair made of tulips and peonies. The freshest and most delicate of the four seasons.
★ 5.2
I Am Still Learning
1828 · El Prado, Madrid
An old man on two sticks, with Aun aprendo written underneath. Goya drew it in exile and failing health, near the end.
★ 5.2
Winter
1563 · Kunsthistorisches Museum, Vienna
A head made of cracked bark and bare twigs, standing for the dying year and, flatteringly, for a Habsburg dynasty that stays evergreen.
★ 5.7
Death and the Miser
1500 · National Gallery of Art, Washington, District of Columbia
Death comes through the door while an angel points to the crucifix and a demon offers one more bag of gold. The man has not chosen.
★ 5.9
The Choice Between Virtue and Vice
1565 · The Frick Collection, New York City
Hercules bolts from Vice toward Virtue and gashes his leg on the thorns of the harder road as he goes.
★ 5.9
Wisdom and Strength
1565 · The Frick Collection, New York City
Divine Wisdom looks up and Hercules looks down at a scatter of crowns and jewels, which is the entire argument of the picture.
★ 5.9
Three Ages of Woman and Death
1510 · Kunstmuseum, Basel
A single thread of gauze links the baby, the beauty, the crone and Death holding an hourglass. Baldung was Dürer's pupil, with darker interests.
★ 6.1
Ship of Fools
1500 · Louvre, Paris
A monk and a nun bawl a song over a lute while somebody vomits over the side. The boat has no rudder, which is the point.
★ 6.3
The Peaceable Kingdom
1833 · National Gallery of Art, Washington, District of Columbia
Hicks was a Quaker preacher and sign-painter who returned to Isaiah's prophecy about sixty times. Penn signs his treaty in the background.
★ 6.3
The Seven Deadly Sins and the Four Last Things
1490 · El Prado, Madrid
The whole panel is a giant eye, with Christ in the pupil and the words Beware, beware, God sees. It was made for a tabletop.
★ 6.5
Death and Life
1916 · Leopold Museum, Vienna
Death stands at the left in a patterned robe holding a club, watching a heap of sleeping people who have not noticed him.
★ 6.5
The False Mirror
1928 · Museum of Modern Art, New York City
One enormous eye with a cloudy sky for an iris. Whether it is looking out or reflecting back is the question.
★ 6.9
The Blind Leading the Blind
1568 · Museo di Capodimonte, Naples
Six blind men go down one after another, and Bruegel painted their clouded eyes accurately enough for doctors to diagnose the conditions.
★ 7.0
Netherlandish Proverbs
1559 · Gemaldegalerie, Berlin
A man bangs his head on a brick wall, another casts roses before swine, and over a hundred proverbs are acted out literally in one village.
★ 7.1
Sacred and Profane Love
1514 · Galleria Borghese, Rome
Two women sit at either end of a sarcophagus full of water, and it is the naked one who stands for sacred love.
★ 7.5
Venus, Cupid, Folly, and Time
1545 · National Gallery, London
A girl with a reptile's body offers a honeycomb and Time pulls back a curtain. The cold puzzle was probably a gift for the French king.
★ 7.6
The Nightmare
1781 · Detroit Institute of Arts, Detroit
An incubus squats on a sleeping woman's chest while a wild-eyed horse pushes through the curtains. It made Fuseli famous immediately.
★ 7.8