
Three Musicians
1921 · Museum of Modern Art, New York City
A harlequin, a Pierrot and a monk in flat interlocking shapes that look cut from paper. Synthetic Cubism at its grandest and most deadpan.
★ 7.8

A harlequin, a Pierrot and a monk in flat interlocking shapes that look cut from paper. Synthetic Cubism at its grandest and most deadpan.

Part boiler, part elephant, with a tusked hose coming out of its head. Ernst took the shape from a photograph of an African grain bin.

Two heavy young men press close together over a letter, and the intimacy is usually read as a memorial to Apollinaire.